please.â That was like a command.
Mannering told her everything. She listened with close attention, moving only her right hand, twice, to push a few tendrils of the fair hair out of her eyes. He could hear her breathing. The telling took two or three minutes. When he had finished he was sure that he had left nothing important out.
She didnât respond at once; it was almost as if she was going over the details of the story in her mind, to make sure that she had them right. She looked younger. There was a great simplicity about her face, and a look ofâvirginity? Yes, that seemed the right word for her. She looked so young and fresh and clean, despite the reputation of her gossip column friends.
âDoes it make any sense to you?â he asked.
She closed her eyes.
âSense,â she echoed, so that he could only just hear the word. âYes, it makes sense â damnable sense. So heâs pretending that the other sword was stolen, so that heââ she broke off.
She had great simplicity, he reminded himself, and that air of virginity, and honesty. But â was he being fooled? Was he allowing himself to be? Lorna, whom many called the greatest portrait painter in the country now that Augustus John was dead, would scoff at him.
âThe sweetest look of innocence can hide a Delilah, darling. Arenât you old enough to realise that yet?â
No one knew faces and expressions better than Lorna; she captured the person and put it on the canvas. There were some people whom she would not paint because she did not like what she saw and was convinced that if it came out, through her art and her near magic touch, they would resent it, too. What would she think of Sara Gentian?
âYou think your uncle is only pretending that the sword was stolen,â he prompted.
She nodded.
âWhy should he do that?â
She didnât answer.
âIâve told you everything he told me, at least you ought to tell me what you really think,â Mannering said, as if he were appealing to a childâs sense of honour. âWhy should he pretend that it was stolen?â
She said: âTo cover up the fact that he sold it, but did not want his relatives to know. Now do you understand?â
Â
There was a long gap between understanding and believing. Mannering could not convince himself that Sara meant what she said, although she appeared to. It was not so much the way she said it, but the obvious change that had come over her. She was more anxious. He thought that in the brightness of her eyes there was a spark of fear. She glanced at the sword, full of colour and beauty even in the shadows, and moistened her lips. Yes, he thought, sheâs frightened. She looked back at him, but did not speak.
âSara,â he said, âI donât think that makes sense.â
She did not seem to notice that he had used her first name.
âDoesnât it?â
âIt doesnât make sense because your uncle is a very rich man.â
âIs he?â she asked.
The feeling had gone out of her voice, and he felt more sure than ever that the story had frightened her; it was too early yet to begin to ask himself why. He had to remind himself of the man who had telephoned and asked him not to do what the girl wanted, a matter of life and death.
âYou know very well that heâs wealthy,â Mannering said sharply.
She looked at him, her eyes quite dull.
âI know that heâs supposed to be.â
âCan you prove that he isnât?â demanded Mannering. âListen to me, Sara. I could telephone a dozen different people and ask if they would accept Lord Gentianâs note of hand for any given sum, and they would all say that they would take it without limit. In London you donât win a reputation like that unless you are really rich. A name, a title, a tradition, a past â none of these things is important. Your uncle is known to be one of