made him very woozy. He is not quite sure what is happening, what she is talking about. Everything seems unusually vivid â the sun-flooded kitchen, the pictures of kittens on the wall, the blue eyes of the footballerâs wife, her fine parchment-like skin. She is holding him with a disquieting stare. His eyes fall and he finds himself looking at her narrow, naked knees.
Her eyes again.
âHe know
nah-thing
but football,â she says. He is looking at her mouth when she says that. âYou understand me.â It does not seem to be a question this time. It sounds more like an instruction.
âAnd you young boys,â she says, smiling happily, taking up the brandy bottle, âyou like sport?â
âI do,â Ferdinand tells her.
âYes?â
âSimon doesnât.â
âThatâs not true,â Simon mutters irritably.
She doesnât seem to hear that. She says, turning to him, âOh, no? What do you like? What do you like? I think I know what you like!â And, putting her hand on his knee again, she starts to laugh.
âSimon likes books,â Ferdinand says.
âOh, you like books! Thatâs
nice
. I like books! Oh ââ she puts her hand on her heart â âI
love
books. My husband, he donât like books. He is not interested in art. You are interested in art, I think?â
âHeâs interested in art,â Ferdinand confirms.
âOh, thatâs
nice
!â With her eyes on Simon, she sighs. âBeauty,â she says. âBeauty, beauty. I live for beauty. Look, I show you.â
Full of excitement, she takes him to a painting hanging in the hall. A flat, lifeless landscape in ugly lurid paint. She tells him she got it in Venice.
âItâs nice,â he says.
They stand there for a minute in silence.
He is aware, as he stares at the small terrible picture, of her standing next to him, of her hand warm and heavy on his shoulder.
âYour friend,â she says to Ferdinand, lighting another cigarette, âhe understands.â They are in the kitchen again.
âHeâs very intelligent,â Ferdinand says.
âHe understands beauty.â
âDefinitely.â
âHe
lives
for beauty. He is like me.â And then she says again, unscrewing the cap of the brandy bottle, âMy husband, he know nothing but football.â
âThe beautiful game,â Ferdinand jokes.
She laughs, though it isnât clear whether she understood his joke. âYou like football?â she asks.
âIâm more of a rugby man actually,â Ferdinand says.
He then tries to explain what rugby is, while she smokes and listens, and occasionally asks questions that show she hasnât understood anything.
âSo is like football?â she asks, waving away some smoke, after several minutes of detailed explanation.
âUh. Sort of,â Ferdinand says. âYes.â
âAnd girls?â she asks. âYou like girls?â
The question embarrasses Ferdinand less than it does Simon, and he says, after a short pause, âOf course we like girls.â
She laughs again. âOf course!â
She is looking at Simon, who is staring at the table. She says, âYou will find lot of girls in Prague.â
Standing on the Charles bridge with its blackened statues, its pointing tourists, Simon pronounces the whole place to be a soulless Disneyland.
In St Vitus cathedral, wandering around in the quiet light and the faint smell of wood polish, he sees a poster for a performance of Mozartâs Mass in C Minor there later that afternoon which marginally perks him up, and when they have acquired tickets, they sit down on the terrace of a touristy pub opposite the cathedralâs flank to wait.
Unusually for him, Ferdinand is smoking a cigarette, one of Simonâs Philip Morrises. While his friend tells him how much he hates Prague, Ferdinand notices two young women sitting at a nearby