mysterious and somewhat eerie. A few candles guttered on the bare walls and for a moment Elizabeth felt herself overcome with a sense of foreboding. The fact that there were no visitors in this particular room made it seem more sinister.
âThere you are, Margaret,â she heard Beth say.
She turned to see her youngest daughter staring at a set of painted friezes in the corner of the chamber. The little girlâs eyes were set in enchanted wonder.
âWhat is it, my love?â Elizabeth asked, smiling, as she walked across to join both girls.
âLook, Mama. Margaret has found some pictures. Arenât they unusual?â Beth replied.
Elizabeth examined the pictures. They were set into a thick wooden board which had been propped up rather haphazardly against the wall. There were only six pictures, although it looked as though there was space for several more. Each picture was of the same figure, that of a woman with elongated eyes and generously curved body. But she was clearly not a sympathetic character. In every picture she was pictured surrounded by tiny corpses at her feet, who had obviously not died of natural causes.
âOh, Beth, how gruesomeâ¦â Elizabeth began, but another voice interrupted her.
âAh, early visitors to my femme fatale .â
They all turned to see a man in his midfifties looking at them. He wore tightly fitting breeches, a long tailcoat cut away to show a rather faded waistcoat of cream brocade, and his cravat had been inexpertly tied. But his hair was his own, a faded brown with grey sideburns, and he smiled at them with merry eyes.
âGood day to you, sir,â said Elizabeth, while Beth and Margaret curtsied formally. âMy daughters and I seem to have strayed into an unfinished exhibit room.â
âUnfinished and likely to remain so, madam,â said the gentleman. âI donated these artefacts to the museum and intended to fill the room with antiquities, but my sponsors have lost their appetite for the venture. Canât say as I blame them, really. The minx in the picture isnât the best advertisement for inspiring the imagination of the British public. But I took a fancy to her story while I was in Egypt and picked up this little trinket in a bazaar in Cairo.â
âYou have been to Egypt?â Beth said with interest.
The gentleman smiled at her.
âI have, my dear, many times, for pleasure and in the pursuit of academic interests. It is a fascinating place.â
Elizabeth said, âYou are making us very envious, Mr.â¦?â
âRosen, madam,â he said, tipping his top hat. âSir Matthew Rosen.â
âSir Matthew, it is a pleasure to meet you,â said Elizabeth, taking the introduction upon herself. âI am Mrs Fitzwilliam Darcy and these are my daughters Beth and Margaret.â
âEnchanted. And what do you ladies think of my Egyptian lady? I admit to a certain doomed attraction for her, although I strongly suspect her story is no more than the figment of some wily souk keeperâs imagination in order to sell a worthless bauble to a Western souvenir hunter.â
He smiled as he said this, and Elizabeth laughed.
âShe is certainly very wicked if these images are anything to go by.â
âShe wasnât very happy,â said Margaret, speaking for the first time.
Sir Matthew looked at her curiously.
âWhat makes you say that, my dear?â
âBecause itâs true. People were mean to Aahotep, so she was mean back.â
Now Sir Matthew looked at her in frank surprise. âHowever did you know that?â
âMy daughter has a vivid imagination,â said Elizabeth with a smile.
âAnd your lady looks like the doll Cousin Edward gave her, doesnât she? Look,â said Beth, taking Margaretâs hand and revealing the doll.
Elizabeth glanced at the wooden toy in Margaretâs hand and noticed that it did bear a striking resemblance to