of clubs. The obvious solution would be for him to take the stinking golf clubs and give me what I wanted in the first place. I had asked for a typewriter — I didn’t think it was asking for too much. Terry Glassman got one last year and he’s the same age as me. Terry used his typewriter to compose dull, misspelled, and unimaginative letters, which he sent to his father in Arizona. I don’t blame Dr. Glassman for never responding. When he got bored with it, Terry threw the typewriter off the roof of his house.
In my manuscript, Terry Glassman plays a minor role as an ungrateful and spoiled Boy Scout who learns the meaning of the expression Hard Times when he is discovered nude and vulnerable by a group of randy park rangers who prepare him for a merit badge in give and take! Terry should be grateful to appear in my book but, knowing him, he’ll probably threaten to sue. That’s Terry Glassman all over. Here I’ve given him a good eight inches and a shot at immortality and he’ll turn on me the same way he did last year when I asked him to pose for a few nude sketches. Ingrate.
A few months ago, for my fourteenth birthday, I asked for a portable tape recorder with a discreet suppository-sized microphone; but did I receive one? Of course not! That would be too obvious, to give someone what he wants. My father told me that if I want to listen to music then I should learn to make it myself. Who said anything about music? Dad said that the guy who can play guitar is going to be the life of the party. He’s confusing life with death. The real life of the party is flattened beneath the bed, taping actual sex encounters, not sitting crosslegged on the floor with a guitar, embarrassing himself and others.
I took guitar lessons for two months from Mr. Chatam, an actual midget who teaches at Instrument City over at Northgate Plaza. Mr. Chatam sat perched on the edge of a footstool and wore outfits that a child might wear: checkered suits with clip-on ties and buckled shoes. The guitar was huge in his lap and I would almost feel sorry for him until he opened his wee mouth to say something stupid like “Here’s a little number those girlfriends of yours might enjoy hearing!” and he’d force me to follow along as he played another tiresome ballad from something called The Young Person’s Contemporary Songbook.
In my manuscript, Mr. Chatam is kept in an orphanage, completely nude, his head and body shaved bald, until he is adopted by a group of truckdriving studs for use as a sex baby. Unlike most babies, Mr. Chatam just loves getting spanked and once he starts bawling there’s only one way to pacify him!
I never touched that damned guitar except during lessons, so last week my father told me I had to quit. Boohoo. I thought he might follow up by threatening to give my guitar to a deserving person who wouldn’t look down his nose at such an expensive gift, but no such luck. Instead he bought me a five-record instructional kit and wants me to teach myself. On the record, the guy plays “If I Had a Hammer” and “Kumbaya” and says things like “C’mon now, let’s everybody sing along!” Life of the party.
While he was growing up, my father lived under what he likes to describe as “harsh circumstances” in a small, ugly apartment. By harsh circumstances my father means that they had a curtain instead of a bathroom door. He never had a bedroom and had to sleep on a back-breaking foldout sofa and go to work before and after school, shining shoes and selling newspapers. He has a point there, that’s harsh. Unfortunately, they never gave him a medal for it and as a result he brings it up time and time again.
On the way home from my final guitar lesson my father started in once more, telling me how lucky I am. I was thinking that he should spend an hour playing “Up, Up, and Away” while locked in a windowless room with a midget before he came to me talking about luck. What does he know? During the