no, the wastebasket—He drops it in, bends over, retrieves it. Finally he wraps it in a Kleenex and puts it in his pocket. Jesus, he swears. He looks at me and grins. When I start laughing, my eyes are wet.
I take Daniel to the bus station and watch him out of sight. I come back and strip the bed, bundle the sheets in my arms. This pressure in my chest … I have to clutch the sheets tight, tighter—
A door clicks shut. I go downstairs to my mother. She refuses to speak or let me near her. She stands by the sink and holds her small square purse with both hands. The fear comes. I hug myself, press my hands against my arms to stop shaking. My mother runs hot water, soap, takes dishes from the drainer. She immerses them, pushes them down, rubbing with a rag in a circular motion.
Those dishes are clean, I tell her. I washed them last night.
She keeps washing. Hot water clouds her glasses, the window in front of us, our faces. We all disappear in steam. I watch the dishes bob and sink. My mother begins to sob. I move close to her and hold her. She smells as she used to smell when I was a child and slept with her.
I heard you, I heard it, she says. Here, in my own house. Please, how much can you expect me to take? I don’t know what to do about anything …
She looks into the water, keeps looking. And we stand here just like this.
Blind Girls
S HE KNEW IT was only boys in the field, come to watch them drunk on first wine. A radio in the little shack poured out promises of black love and lips. Jesse watched Sally paint her hair with grenadine, dotting the sticky syrup on her arms. The party was in a shack down the hill from her house, beside a field of tall grass where black snakes lay like flat belts. The Ripple bottles were empty and Jesse told pornographic stories about various adults while everyone laughed; about Miss Hicks the home-ec teacher whose hands were dimpled and moist and always touching them. It got darker and the stories got scarier. Finally she told their favorite, the one about the girl and her boyfriend parked on a country road. On a night like this with the wind blowing and then rain, the whole sky sobbing potato juice. Please let’s leave, pleads girlie, It sounds like something scratching at the car. For God’s sake, grumbles boyfriend, and takes offsquealing. At home they find the hook of a crazed amputee caught in the door. Jesse described his yellow face, putrid, and his blotchy stump. She described him panting in the grass, crying and looking for something. She could feel him smelling of raw vegetables, a rejected bleeding cowboy with wheat hair, and she was unfocused. Moaning in the dark and falsetto voices. Don’t don’t please don’t. Nervous laughter. Sally looked out the window of the shack. The grass is moving, she said, Something’s crawling in it. No, it’s nothing. Yes, there’s something coming, and her voice went up at the end. It’s just boys trying to scare us. But Sally whined and flailed her arms. On her knees she hugged Jesse’s legs and mumbled into her thighs. It’s all right, I’ll take you up to the house. Sally was stiff, her nails digging the skin. She wouldn’t move. Jesse tied a scarf around her eyes and led her like a horse through fire up the hill to the house, one poison light soft in a window. Boys ran out of the field squawling.
Lechery
T HOUGH I HAVE no money I must give myself what I need. Yes I know which lovers to call when the police have caught me peddling pictures, the store detectives twisting my wrists pull stockings out of my sleeves. And the butchers pummel the small of my back to dislodge their wrapped hocks; white bone and marbled tendon exposed as the paper tears and they push me against the wall. They curse me, I call my lovers. I’m nearly fifteen, my lovers get older and older. I know which ones will look at me delightedly, pay my bail, take me home to warm whiskey and bed. I might stay with them all day; I might run as the doors of