he loved the typewriter.
And yet, his hands shook every time he took them off the keys, and his whole body vibrated, making his teeth chatter. He told himself it was the blood loss and swigged coffee. People poked their heads curiously over the partition to talk to him.
“Sorry, can't talk. Got a wicked story here.”
They walked away looking confused and worried. No one was enthusiastic about working at the Post. They were typists for the press releases the Revs sent them. There was no real reporting anymore, just congratulatory puff pieces about how the Revs were improving the world.
Mike finished and tapped the edges of the papers on the desk to straighten them. Fifteen pages, triple-spaced for the copy editors. All it took was fifteen pages to end a career. To end a life, maybe. They might just jab a tube into his arm and make him sit still for the rest of his life. That would be real torture. Mike re-read his story, barely recognizing what he'd just typed. He'd been in a fugue state during the writing, pounding it out all at once in a flurry of keys. He read it again.
“Hot damn,” said Mike. “Now that's a goddamn story.” Somewhere, he thought, Kyra was smiling at him. Mike slid it under the locked door to the office of his editor, Tess, and plopped down on the smelly couch in the break room. The clock above the door ticked loudly. Any second Tess would come back from lunch smelling like martinis. Any second, she would find his story – maybe the best story of his career – on the other side of her door. Any second...
But Mike was asleep and snoring loudly before Tess came through the elevator doors. It took five minutes for Vince Nakayama to shake him awake.
“Dude. Tess wants to see you.”
“Wha?”
“What did you do?” Vince wore red Converse sneakers and a tie.
“Nothing,” said Mike, sitting up and rubbing his face. He looked at his own cracked and faded loafers. “Just my job.”
“Tess sounded pretty pissed. You gonna be okay?”
“I'm a survivor, baby.”
“Dude. Don't ever call me baby.”
The lights in the hall were out when he headed toward Tess's office. Mike squinted in the darkness. All he could see was the frosted glass door at the end of the hall, bursting with light. Don't go toward the light. Mike smiled. Tess was decent, though. She'd been his colleague and a damn good journalist right beside him back in the day. They'd even had a fling once, back before he met Kyra. Tess was the only reason he still had a job after the murder accusation. They were friends. Weren't they?
“Hell,” Mike muttered. Should he have written that story? He was having second thoughts. He made his feet carry him down the hall. There was a strange smell in the air. Like the musty smell of a museum. What was done was done, though. He'd given her the story. Either she would print it or she wouldn't. If she wouldn't, he had other options. Groups that would chomp at the bit to get his information.
Another step, then another. He was halfway down the hall. The odd smell was growing stronger. Mike looked up, checking for leaks, mildew in the ceiling. He saw nothing. Figures moved in Tess's office, visible through the frosted glass. More than one person, then. Had she called someone?
Tess was raising her voice, which was nothing new. But Mike could hear a second voice, deep and increasingly urgent. He took a step back.
“You should go,” said a voice right behind him. Mike jumped, whirling around. A man stood there, towering over him, impossibly tall.
“Jesus,” said Mike, his heart pounding. “Where the hell did you come from?”
The man was looking at Tess's door, his pale face expressionless. He had dark eyes and lips that were red, the color of cherries, the color of blood. He looked down at Mike. His hair