California, Drake repaired his ship, established contact with local Indians, explored inland, took on supplies and water, and claimed the region for Queen Elizabeth.â
Along the roadside yarrow, scotch broom, forbs,
hills of layered angled boughs like an Edo woodcut,
rare tree â bishop pine â storm-tuned,
blacktop roadbed over the native Miwok path
over the early ranches âMâ and âPierceâ
â a fox dives into the brush,
wind-trimmed chaparral and
estuary salt marsh, leaning hills,
technically off the continent,
out on the sea-plate, âfloating island.â
â Came down from inland granite and
gold-bearing hills           madrone and cedar;
& from ag-fields laser land-levelers,
giant excavators â subdivision engineers
âCaliforniaâ hid behind the coastal wall of fog
Drake saw a glimpse of brown dry grass and gray-green pine,
came into a curve of beach. Rowed ashore,
left a scat along the tideline, cut some letters in an oak.
The âGâ Ranch running Herefords,
Charley Johnson growing oysters
using a clever method from Japan,
and behind the fog wall
sunny grassy hills and swales
filled with ducks and tules.
Cruising down the narrow road-ridge
one thing we have together yet:
this Inglis â this Mericano tongue.
â Drakeâs Bay cliffs like Sussex â
gray and yellow siltstone, mudstone, sandstone,
undulating cliffs and valleys â days of miles of fog.
Gray-mottled bench boards lichen.
Sea gulls flat down sun-warmed
parking lot by cars.
We offer to the land and sea,
a sierra-cup of Gallo sherry,
and eat a Johnsonâs oyster from the jar,
offer a sip of Sack to the Captain
and
an oyster raw:
a salute, a toast to Sir Francis Drake
from the land he never saw.
S UMMER OF â97
West of the square old house, on the rise that was made
when the pond was dug; where we once slept out;
where the trampoline sat,
Earth spirit please donât mind
If cement trucks grind
And plant spirits wait a while
Please come back and smile
Ditches, lines and drains
Forms and pours and hidden doors
The house begins:
Sun for power
Cedar for siding
Fresh skinned poles for framing
Gravel for crunching and
Bollingen for bucks â
Daniel peeling
Moth for singing
Matt for pounding
Bruce for pondering
Chuck for plumbering
David drywalling
staining, crawling;
Stu for drain rock
Kurt for hot wire
Gary for cold beer
Carole for brave laugh
til she leaves,
crew grieves,
Gen for painting
each window frame
Gen-red again
Garden cucumbers for lunch
Fresh tomatoes crunch
Tor for indoor paints and grins
Ted for rooftiles
Tarpaper curls
Sawdust swirls
Trucks for hauling
Barrels for burning
Old bedrooms disappearing
Wild turkeys watching
Deer disdainful
Bullfrogs croaking,
David Parmenter for bringing
flooring oak at night
Though his mill burned down
Heâs still coming round.
Cyndra tracing manzanita
On the tile wall shower,
Sliding doors
Smooth new floors â
Old house a big hall now
Big as a stable
To bang the mead-stein on the table
Robin got a room to write a poem,
& no more nights out walking to the john.
Carole finally coming home
Peeking at her many rooms.
Oak and pine trees looking on
Old Kitkitdizze house now
Has another wing â
So weâll pour a glass and sing â
This has been fun as heaven
Summer of ninety-seven.
R EALLY THE R EAL
for Ko Un and Lee Sang-wha
Heading south down the freeway making the switch
from Business 80 east to the 1-5 south,
watch those signs and lanes that split
duck behind the trucks, all going 75 at 10 am
I tell Ko Un this is the road that runs from Mexico to Canada, right past
San Diego â LA â Sacramento â Medford â Portland â Centralia â
Seattle â Bellingham, B.C. all the way,
the new suburban projects with cement roof