embrace which included Mr Campion, Donna Beatrice, and the stealthily retreating Lisa.
When one considered Max Fustianâs appearance it was all the more extraordinary that his personality, exotic and fantastic as it was, should never have overstepped the verge into the ridiculous. He was small, dark, pale, with a blue jowl and a big nose. His eyes, which were bright and simian, peered out from cavernous sockets, so dark as to appear painted. His black hair was ungreased and cut into a conventional shock which had just sufficient length to look like a wig. He was dressed, too, with the same mixture of care and unconventionality. His double-breasted black coat was slightly loose and his soft black tie flowed from beneath his white silk collar.
He had thrown his wide black hat and black raincoat on to the hall chest as he passed and now stood beaming at them, holding the gesture of welcome as one who realizes he has made an entrance.
He was forty, but looked younger and appreciated his good fortune.
âIs everything ready?â The indolent weariness of his voice had a soporific quality and he swept them down to the studio again before they had realized it.
Potter had gone and the place was in darkness. Max switched on the lights and looked round with the quick, all-seeing glance of a conjuror surveying his paraphernalia.
A frown spread over his forehead and he returned to his hostess.
âDear Belle, why do you insist on those nauseating lithographs? It degrades the occasion into a church bazaar.â He pointed contemptuously to the unfortunate Mr Potterâs display. âThe fancywork stall.â
âReally, Belle, I think heâs right.â Donna Beatriceâs low sing-song voice was plaintive. âThereâll be my little table over here with the Guildâs jewellery upon it, and really I think thatâs enough. I mean â other peopleâs pictures in his studio â itâs sacrilege, isnât it? The vibrations wonât be right.â
Looking back upon that evening in the light of after events, Mr Campion frequently cursed himself for his lack of detachment. Seen in retrospect, after the tragedy, it seemed to him impossible that he could have spent so long in the very heart of the dormant volcano without hearing the rumblings of the eruption to come. But on that evening he noticed nothing save that which passed upon the surface.
Max had disregarded his allyâs efforts and continued to look interrogatively at Mrs Lafcadio.
Belle shook her head at him as though he had been a naughty dog, and glanced round the studio.
âThe floor looks very nice, donât you think?â she said. âFred Rennie scrubbed it and Lisa polished it.â
Max shrugged his shoulders, a gesture almost contortionate, but having made his protest he gave way gracefully. Next instant he was himself again, and Campion, watching him, realized how he had managed to insinuate himself into the position of Lafcadioâs
entrepreneur.
He strode down the room, flipped the shawl from the painting, and stood back enraptured.
âSometimes Beautyâs like the Gorgonâs head. Oneâs spirit turns to stone, beholding it,â he said. His voice was startlingly unaffected, and the contrast lent the extravagant phrase a passionate sincerity which startled everyone, including, it would seem, Max Fustian. To Mr Campionâs amazement the little dark eyes suddenly suffused with tears.
âWe must all vibrate to green when we think of the picture,â said Donna Beatrice with paralysing idiocy. âBeautiful apple green, the colour of the earth. That shawl is so helpful, I think.â
Max Fustian laughed softly. âGreen is the colour for money, isnât it?â he murmured. âSuffuse the picture with a green light and itâll sell. Well, I have done my part. Tomorrow everyone will be here. Soldiers, poets, fat mayors buying for their cities, the