religious education is the ability to identify at least the better-known texts of scripture, and this was one which it needed no effort of memory to recall. As a delinquent nine-year-old at his prep school, he had once been required by the headmaster to write out in his best handwriting the whole of the third chapter of Ecclesiastes, old Gumboil, economical in this as in all matters, believing that writing lines should combine punishment with literary and religious education. The words, in that round childish script, had remained with him. It was, he thought, an interesting choice of text.
That which hath been is now; and that which is to be hath already been; and God requireth that which is past
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He rang and there was only a short delay before Alice Mair opened the door. He saw a tall, handsome woman dressed with careful and expensive informality in a black cashmere sweater with a silk scarf at the throat and fawn trousers. He would have recognized her from her strong resemblance to her brother, although she looked the elder by some years. She took it for granted that each knew who the other was and, standing aside to motion him in, she said: “It’s good of you to be so accommodating, Mr. Dalgliesh. I’m afraid Nora Gurney is implacable. Once she knew you were on your way to Norfolk you were a predestined victim. Perhaps you would bring the proofs through to the kitchen.”
It was a distinguished face with the deep-set, widely spaced eyes beneath straight brows, a well-shaped, rather secretive mouth and strong greying hair swept upwards and curled into a chignon. In her publicity photographs she could, he recalled, look beautiful in a somewhat intimidating, intellectual and very English mould. But seen face-to-face, even in the informality of her own house, the absence of a spark of sexuality and, he sensed, a deep-seated reserve, made her seem less feminine and more formidable than he had expected, and she held herself stiffly, as if repelling invaders of her personal space. The handshake with which she had greeted him had been cool and firm and her brief smile was surprisingly attractive. He knew that he was oversensitive to the timbre of the human voice, and hers, although not jarring or unpleasant, sounded a little forced, as if she were deliberately speaking at an unnatural pitch.
He followed her down the hall to the kitchen at the back of the house. It was, he judged, almost twenty feet long andobviously served the triple purpose of sitting room, working place and office. The right-hand half of the room was a well-equipped kitchen with a large gas stove and an Aga, a butcher’s chopping block, a dresser to the right of the door holding an assortment of gleaming pots, and a long working surface with a wooden triangle sheathing her assortment of knives. In the centre of the room was a large wooden table holding a stoneware jar of dried flowers. On the left-hand wall was a working fireplace, the two recesses fitted with floor-to-ceiling bookshelves. To each side of the hearth was a high-backed wicker armchair in an intricate, closely woven design, fitted with patchwork cushions. There was an open roll-top desk facing one of the wide windows and, to its right, a stable door, the top half open, gave a view of the paved courtyard. Dalgliesh could glimpse what was obviously her herb garden planted in elegant terra-cotta pots carefully disposed to catch the sun. The room, which contained nothing superfluous, nothing pretentious, was both pleasing and extraordinarily comforting and, for a moment, he wondered why. Was it the faint smell of herbs and newly baked dough; the soft ticking of the wall-mounted clock, which seemed both to mark the passing seconds and yet to hold time in thrall; the rhythmic moaning of the sea through the half-open door; the sense of well-fed ease conveyed by the two cushioned armchairs, the open hearth? Or was it that the kitchen reminded Dalgliesh of that rectory kitchen where the lonely only