woodwork, or the large brown patch on the ceiling from a previous leak. It didn’t occur to her that the Chippendale highboy chest of drawers was water-warped, or that the oil paintings needed a professional cleaning and that the chandeliers were missing several of their crystals. So what if one of the rooms was filled with nothing but piles of papers, old, cloth-wrapped paintings and a piano with chipped, yellowed ivory keys? So what if the library had a mouse hole the size of Joanna’s fist? So what if the oil painting of Charles Roderick Bates, Charles’s great-grandfather, which hung over the stairs, freaked Joanna out every time she passed by it? All old aristocratic homes had charming idiosyncrasies. And this was Roderick.
But lately, something had changed, and she’d begun to see the house as, well . . . old. Unkempt, even. The rooms were always too cold, especially the bathrooms. The cushions on the living room couch were uncomfortable, a sharp spring managed to press into her butt no matter which position she tried. Some of the unused rooms smelled overwhelmingly like mothballs, others like sour milk, and there were visible gaps amid many of the bathroom floor tiles, desperate for grout. The most unsettling thing, though, was that when Joanna walked into certain rooms, it was as if someone—or something—was following her. The house and everything in it seemed human, if she really got down to it. And not like a sprightly young girl, either, but a crotchety, elderly man. The pipes rattled like creaky bones and joints. When she sat down in a chair, any chair, there was an abrupt huffing sound, like someone collapsing from a long day’s work. The radiators wheezed, coughed, and even spat out strange hints of smells that seemed to be coming from the house’s human core. A whisper of soapy jasmine seeped from its plaster skin. An odor of ham and cloves belched out of an esophageal vent.
She stepped down the hall now, gazing at the black-and-white photographs that lined the walls. Sylvie had taken the pictures during a trip to the beach when the children were young. In some of them, Charles and Scott, probably about eight and six, were flying a kite. Charles had an intense look of concentration as he held the kite’s string, as if a judging committee was watching, while Scott looked disdainfully off toward the waves. In the pictures of them in the ocean, Scott ran happily toward the waves, his arms and legs outstretched like a starfish. It was startling to see a photo of Scott so young and carefree, enjoying life. James skipped out to the ocean, too, equally exuberant, but Charles hung back, his expression timid and penitent. The last photo in the row was a close-up of the three of them. Scott and their father were soaked, but Charles’s hair was still neatly combed, bonedry. Two genuine smiles, the third seemed forced.
“See anything interesting?”
Joanna jumped. Scott stood at the bottom of the stairs, his hands hidden in his sweatshirt pouch. His eyes glowed, as if she’d turned a flashlight on some wild animal in the woods.
Joanna pressed her hand to her breastbone. She could feel her heart through her thin sweater. “H-How did you get here?”
Scott gestured with his thumb toward the front door. The easiest way to get to the main house from his quarters was to exit through the door of his suite, walk all of four steps, and enter the house through the mud room, which led to the kitchen. Instead, Scott had walked the whole way around the outside of the house to this door, the front door. He had to know that Joanna and Sylvie and Charles were convened in the kitchen. The smell of banana bread was overpowering, penetrating the thick walls.
So he’d avoided them. Of course he didn’t want to see them. Was it because he didn’t want to answer their questions about the incident? Although that was laughable; they wouldn’t ask him questions. No one ever asked Scott questions. Sylvie would flutter about, shove