bucket under the sink the dustrag and the furniture oil and a damp cloth, and returned to the living-room to excavate, as it were, from the dust that threatened to bury them, his family’s goods and gear. Thinking bitterly of his birthday, he attacked the mirror with the cloth, watching his face appear as out of a cloud. With a shock he saw that his face had not changed, that the hand of Satan was as yet invisible. His father had always said that his face was the face of Satan—and was there not something—in the lift of the eyebrow, in the way his rough hair formed a V on his brow—that bore witness to his father’s words? In the eye there was a light that was not the light of Heaven, and the mouth trembled, lustful and lewd, to drink deep of the wines of Hell. He stared at his face as though it were, as indeed it soon appeared to be, the face of a stranger, a stranger who held secrets that John could never know. And, having thought of it as the face of a stranger, he tried to look at it as a stranger might, and triedto discover what other people saw. But he saw only details: two great eyes, and a broad, low forehead, and the triangle of his nose, and his enormous mouth, and the barely perceptible cleft in his chin, which was, his father said, the mark of the Devil’s little finger. These details did not help him, for the principle of their unity was undiscoverable, and he could not tell what he most passionately desired to know: whether his face was ugly or not.
And he dropped his eyes to the mantelpiece, lifting one by one the objects that adorned it. The mantelpiece held, in brave confusion, photographs, greeting cards, flowered mottoes, two silver candlesticks that held no candles, and a green metal serpent, poised to strike. Today in his apathy John stared at them, not seeing; he began to dust them with the exaggerated care of the profoundly preoccupied. One of the mottoes was pink and blue, and proclaimed in raised letters, which made the work of dusting harder:
Come in the evening, or come in the morning
,
Come when you’re looked for, or come without warning
,
A thousand welcomes you’ll find here before you
,
And the oftener you come here, the more we’ll adore you
.
And the other, in letters of fire against a background of gold, stated:
For God so loved the world, that He gave His only begotten Son, that whosoever should believe in Him should not perish, but have everlasting life
.
John iii, 16
These somewhat unrelated sentiments decorated either side of the mantelpiece, obscured a little by the silver candlesticks. Between these two extremes, the greeting cards, received year after year, on Christmas, or Easter, or birthdays, trumpeted their glad tidings; while the green metal serpent, perpetually malevolent, raised its headproudly in the midst of these trophies, biding the time to strike. Against the mirror, like a procession, the photographs were arranged.
These photographs were the true antiques of the family, which seemed to feel that a photograph should commemorate only the most distant past. The photographs of John and Roy, and of the two girls, which seemed to violate this unspoken law, served only in fact to prove it most iron-hard: they had all been taken in infancy, a time and a condition that the children could not remember. John in his photograph lay naked on a white counterpane, and people laughed and said that it was cunning. But John could never look at it without feeling shame and anger that his nakedness should be here so unkindly revealed. None of the other children was naked; no, Roy lay in his crib in a white gown and grinned toothlessly into the camera, and Sarah, somber at the age of six months, wore a white bonnet, and Ruth was held in her mother’s arms. When people looked at these photographs and laughed, their laughter differed from the laughter with which they greeted the naked John. For this reason, when visitors tried to make advances to John he was sullen, and they,