sustained her, and he would not allow her to help him acquire it. Too dangerous, he always said. And unnecessary.
Octavia tossed aside the cushion and got up again. She padded to the window and pushed aside the heavy draperies to look past the hotelâs circular drive into the Piazza della Repubblica. The morning rush hour was almost over, the flood of taxis and scooters settling down to a trickle. The Duomoâs forest of spires shone in the distance, and beyond it, the Galleria with its airy dome. It was good to be back. And surely, here, where there were people who understood him, Ugo could find what he needed.
She rubbed her arms and glanced across the suite at his closed bedroom door, irritated, worried, wistful.
She stripped off her traveling suit and shrugged into one of Il Principeâs thick robes. She undid the clasp of her hair and took up her hairbrush just as Ugoâs door opened. He lounged through the suite into her bedroom and flopped down across her bed, giving her a wide white grin. âThatâs better,â he said, touching his temples. âWhole again.â
She laid her brush on the bureau. âUgo. You must let meââ
âDonât speak of it.â
âButâwith all you do for meââ
He lifted his brows. âNot for you,â he said. He lifted a mocking finger. âFor the music.â
She made an exasperated sound. âUgo, I know an herbalistââ
His face darkened, and he put up a narrow hand. â Basta, Octavia. I know Milano better than you do. I can handle it.â
Octavia sighed. âWhen you get stern, you sound just like an American, Ugo.â
âO Dio, no!â His grin returned, and he pressed his palm to his chest. âNot an American!â
She chuckled and picked up her brush again, but the flicker of anxiety persisted. She hoped his sources in Milan were more reliable than those in New York. She hated to think of him roaming the alleys of the old city, searching. She knew all too well how dark and dangerous the backstreets could be, and had always been. The architecture of the city had changed, but its nature had not.
When she had brushed out her hair, she crossed to the desk, where she had left her bag with the Mozart score. âDinner tonight with the maestro, â she reminded him. âRead-through tomorrow at ten, but you donât need to be there. Do please come to dinner, though, and help me talk to Russell.â
âMm,â he said. âDelicious Russell.â
She faced him, the score in her hands. âAnd you will behave,â she said. âI want to sing Donna Anna without distractions.â
â Carissima. I wouldnât dream of distracting you.â
âHa.â She laid the score ready beside her bed and began to untie her robe. âI always feel filthy after I fly. Iâm going to take a bath.â
âShall I wash your back?â
âThank you, no.â As she passed him on her way to the bathroom, she trailed her fingers across his head and gave his curls a tug. âYouâre a brat,â she murmured.
He grinned up at her. âSo true. So true.â
Â
Ugo propped his chin on his hand, gazing at Russell until the conductorâs face reddened and he broke off what he was saying.
âMaestro,â Ugo purred. âPlease. Do go on with your story.â
Octavia tried to kick him under the table with her sharp-toed Ferragamo, but she couldnât quite reach. They were dining in Il Principeâs Acanto restaurant. It was a peaceful place, with neutral walls and rich wood trim. Murano chandeliers cast a gentle glow on the nondescript beige of Russell Simondsenâs hair. The risotto alla Milanese had been rich with saffron, and the grilled salmon flavored with basil and bell peppers. Octavia felt relaxed and refreshed. She was eager to begin the three weeks of rehearsals.
Though Russellâs features were painfully