who had attended the same Catholic prep school and had read an early draft of the novel in April 1919. “The farther I got into it the more interested I became,” Parrott said, “but when I came to the place where you saw the man with the disgusting feet, I had to stop reading. I know just what you felt. Your mood was exactly like some I have felt, of the worst kind; in fact it started a humour in me that was quite horrible.” 14
Fitzgerald’s childhood phobia evolved from his subconscious “Freudian” feelings. Though revolted by his own feet, he was sexually excited by the feet of women. His fearful associations with feet—which stuck out stiffly and were strongly associated with sex—both displaced and expressed his adolescent and adult fears about his masculinity. His deep-rooted insecurity later led him to seek embarrassing reassurance, not only from his mistresses of the 1930s but also from personal friends, about the size and potency of his sexual organ.
VI
Scott’s poor performance at St. Paul Academy prompted his parents to send him to a stricter, Eastern, Catholic boarding school. This would, they hoped, provide a more rigorous academic program, expose him to a more sophisticated way of life and increase his chances of gaining admission to a good college. The Newman School in Hackensack, New Jersey (across the Hudson River and about ten miles northwest of midtown Manhattan), had been founded in 1890 by Cardinal Gibbons of Baltimore to attract the sons of “Catholic gentlemen” and taught sixty boys from well-off Catholic families throughout the country. Scott, brought up with the traditional values of his paternal ancestors in Maryland, had always yearned for an Eastern education. Like Basil Duke Lee in “The Freshest Boy,” he “had lived with such intensity on so many stories of boarding-school life that, far from being homesick, he had a glad feeling of recognition and familiarity.”
Scott’s gladness, however, was short lived. As he entered Newman in September 1911, he naively overrated his appearance and athletic ability, social graces and intellectual power, which he felt would lead to success in school, and retrospectively made the honest admission that he lacked the fundamental elements of good character:
First: Physically—I marked myself handsome; of great athletic possibilities, and an extremely good dancer. . . . Second: Socially . . . I was convinced that I had personality, charm, magnetism, poise, and the ability to dominate others. Also I was sure that I exercised a subtle fascination over women. Third: Mentally . . . I was vain of having so much, of being so talented, ingenious and quick to learn. . . . Generally—I knew that at bottom I lacked the essentials. At the last crisis, I knew I had no real courage, perseverance or self-respect.
Scott attempted to cultivate friendships with several classmates by composing their weekly English essays and enhanced his reputation as an athlete by writing an anonymous account in the Newman News of his “fine running with the ball” during a football game. But these ingenious ploys did not work. One student recalled that he was “eager to be liked by his companions and almost vain in seeking praise.” His roommate remembered him as having “the most impenetrable egotism I’ve ever seen.” 15
“Sap” Donahoe, a popular and well-respected boy from Seattle, and a fine scholar and athlete, traveled with Scott during the long trips home on the holidays and remained his friend at Princeton. Though Sap liked Scott, he explained that “he was unpopular starting out at Newman partly because his good looks prompted classification as a sissy, which was reinforced by what appeared to be a lack of physical courage.” He described Scott as “imaginative in temperament, keen in observation, rather critical in taste and sceptical in mind”—traits which made him something of a misfit in the orthodox school and led to a crisis of