us, âcan we get back to looking for the buoy?â
I laughed and bounced slightly on the plank. Maybe today weâd finally catch a break. Those roses were a great sign. I started scanning the Fog for the buoy again, andâ
A deafening POP! shattered the calm morning. It came from beneath the deck, from the engine where Bea was working, adjusting a faulty propeller.
My blood froze. âBea?â I called. âAre you okay?â
No answer.
âChess, go !â Hazel shouted. âSwedish, cut the engines!â
I dove from the plank, caught a cable with one hand and swung under the deck as a bubble of fear expanded in my chest. What if something had happened to Bea?
5
I SCRAMBLED PAST THE side rudder and the vents, and spotted Bea beside an exhaust pipe.
âBea!â I said, slumping in relief. âWhat happened?â
She didnât answer, her usually pale face so dark with soot that she looked like she was wearing a mask. She tapped a bolt with her wrench and told the engine, âNot funny.â
She talked to the machinery, the rotors, cables, and gears. That wasnât so weird, except she was sure that they talked back . Of course I couldnât argue with the results. No other gearslinger couldâve kept this scruffy raft in the air.
When I tapped her shoulder, she jerked in surprise.
âChess!â she shouted, even though I was only a foot away. âWhat are you doing down here?â
âWe heard a huge pop andââ
âWhat?â she shouted. âI canât hear you! There was this huge pop!â
I eyed her. âAre you okay?!â
She eyed me back. âAre you okay?â
âHoo boy,â I muttered. âIâm fine!â I shouted. âAre. You. Okay?â
She gave me a thumbs-up. âNo problem! The hydraulic valveâs just mad because I didnât adjust him yesterday!â
âRight,â I said.
âValves are moody,â she explained.
I shot her a dubious look, and she grinned back. She knew we all thought she was whackadoo, but she didnât care.
I tapped her leather cap twice, saying good-bye, then climbed back onto the deck.
âSheâs fine,â I told Hazel. âJust bickering with the spark plugs.â
Hazel rubbed her face. âDo other captains have these problems?â
âOther captains have airships,â Swedish told her. âYou have a floating rattrap.â
âThatâs what I have for now, â she said.
Swedish and I shared a bemused look at Hazel and her big dreams.
âBut I canât find the buoy,â she continued. âChess, help me look.â
I shoved my goggles to the top of my head, started to brush my hair away from my freak-eye, then hesitated. Like I was afraid that someone might burst out of the clouds and spot the white wisps drifting across my right eye.
This was the fear that never left me. The clouds of nanites in my eye helped me see farther, hear more, and move faster in the Fog than anyone else, but they also marked me as a freak. As Kodocâs freak. He wasnât just my enemy, he was also my creator . Millions of tiny machines swarmed through my brain because of him. Cobblers made shoes and weavers made cloth and Kodoc made me. Like I was nothing more than a tool heâd crafted to help him find those ancient fog-machinesâso he could kill his enemies in the silent rise of white.
Iâd felt his power every day of my life, before Iâd even heard his name. Not just because of the big things, like not having a mother. Kodoc was also the reason Iâd worn an eye patch as a little kid. My dad was the one whoâd given it to me. He knew I had to hide my eye, but heâd hated how ashamed I felt. So after he died, I vowed that Iâd never wear a patch again. And I hadnât: Iâd just kept my hair long, my head down, and my mouth shut.
Of course the crew didnât care about my freak-eye,