all reason to enjoy the ride, he eased back in his seat, nudged his mind toward Mai. He put her in street clothes, then removed them, piece by piece. That body, injection-molded, freakishly proportional. He was about to rip the
tallis
off when the Crown Vic made a sharp turn and Jacob swerved after it, hitting a pothole.
The sign said ODYSSEY AVE , an ambitious name for a grimy, two-block afterthought. Wholesale toy dealers, import-exports with Chinese signage, a shuttered âDance Studioâ that looked as if no feet, agile or otherwise, had crossed its threshold in ages.
The Crown Vic pulled over outside a set of rolling steel doors. A smaller glass door was inscribed 3636. A man in the dress of LAPD brass stood on the sidewalk, shading his eyes. Like Subach and Schott, he cut an imposing figureâtowering, gaunt, pallid, with two frothy white tufts over his ears, suggestive of wings. He wore ash-gray pants, a luminous white shirt, a service firearm in a lightweight mesh holster. As he approached the Honda and bent to open Jacobâs door, the gold badge around his neck swung forward, clicking against the window, COMMANDER in blue enamel
.
âDetective Lev,â the man said. âMike Mallick.â
Jacob got out and shook his hand, feeling like a different species. He was six feet tall, but Mallick was six-six, easy.
Maybe Special Projects was where they put the freak shows.
In which case, heâd fit right in.
The Crown Vic honked once and drove off.
âCome on in, out of the sun,â Mallick said, and he glided into number 3636.
CHAPTER FOUR
M ike Mallick said, âLev, would you say times are good or bad?â
âIâd say that depends, sir.â
âOn what?â
âIndividual experience.â
âCome on, now. You know better than that. For us, the creatures that we are, times are always bad.â
âYes, sir.â
âHowâs life in Valley Traffic?â
âCanât complain.â
âSure you can. Basic human right.â
The room was, or had once been, a storage garage. Concrete walls breathed acrid, nose-pinching mold. It was icy, cavelike, windowless save the glass door, free of furniture but for a crooked halogen lamp turned a quarter of the way up, its cord snaking off unseen.
âWhatâre you working on?â Mallick asked.
âFifty-year citywide data analysis,â Jacob said. âCar versus pedestrian accidents.â
âSounds stimulating.â
âWithout a doubt, sir. Itâs a regular diamond mine.â
âMy understanding is you needed a break from Homicide.â
This again? âAs I told Captain Mendoza, I was speaking out of frustration. Sir.â
âWhatâs his beef with you? You steal his lunch or something?â
âI like to think of Captain Mendozaâs style as a form of tough love, sir.â
Mallick smiled. âSpoken like a true diplomat. Anyhow, you donât have to justify yourself to me. I get it. Itâs natural.â
Jacob wondered if heâd been picked for some sort of experimental psychobabbly program; a puppet to trot out for the press, help dispel LAPDâs well-earned reputation as an orgy of paramilitary machismo.
And we gave him a bag of kittens, too!
âYes, sir.â
âI hope you donât plan on making a career of it,â Mallick said. âTraffic.â
âCould do worse,â Jacob said.
âActually, you couldnât. Letâs not kid ourselves, okay? I talked to your superiors. I know who you are.â
âWho am I, sir?â
Mallick sighed. âTurn it off, would you? Iâm here to do you a favor. Youâve been temporarily reassigned.â
âWhere?â
âWrong question. Not where, who. Youâll report directly to me.â
âIâm flattered, sir.â
âDonât be. Itâs got nothing to do with your skills. Itâs your background Iâm interested