blame you, Henry, for missing it. The audiences of 1594 or â95 or whenever it was, they would have missed it, too. Only a handful of spectators, I think, would have known what was going on. And in that moment, Henry!â He smiled blearily. âI like to think their gasps would have carried all the way to Shakespeare himself. Waiting in the wings.â
Alonzo began to massage the air around us until I began to feel, yes, something like a stir along my hairline.
âWhy were they so shocked?â I asked.
âBecause this little northern upstart, this son of a Stratford glover, was mocking some of the greatest men England had ever known. No, itâs true. Walter Ralegh. Christopher Marlowe. A good half dozen others. Loveâs Labourâs Lost is nothing more than a satire of these great men and their pretensions. With that one phraseâ the School of Night âShakespeare was hauling them into the light of day, leaving them naked for all to see.â
âAnd for evidence you haveâ¦?â
âOh, for Godâs sake, read Bradbrook. Read Tannenbaum. Read Shakespeareâs goddamned plays, if you donât believe me. The King of Navarre and his court. The Duke of Arden and his court. Prospero. Hamlet! Again and again, Shakespeare came back to that same theme. Scholarsâmen of real originality , Henryâworking in isolation from the world. Banished, basically, for their very thoughts. And theyâre all just variations on Raleghâs original school.â
Here was one of the differences between us. Alcohol made him more expansive. The cheaper the booze, the louder he grew.
âI still donât get it,â I said. âWhat was this school?â
âOnly the most secretive, the most brilliantâGod, the most daring âof all Elizabethan societies.â
He lowered his head toward the table, eyeing me as though I were a cue ball.
âAre you ready, Henry?â
Without any more preamble, he took me back. To 1592.
Walter Ralegh, the great courtier of his time, has incurred the queenâs wrath for secretly marrying one of her attendants. Exiled to his estate in Dorset, he comes up with a characteristically ambitious way of passing the time. He will gather the greatest intellects of his generation and give them the freedom they have been seeking all their lives, the freedom to speak their minds.
âIt was going to beâChrist, how did Shakespeare put it? In the play we just saw? A little academe ââ
â Still and contemplative in living art .â
âJust so.â
Well, who could turn down such an invitation? Not Marlowe.
Not Henry Percy, the âWizard Earlâ of Northumberland.
Not George Chapman or his fellow poets Matthew Roydon and William Warner. One by one, they flocked to Dorset.
From the start, the schoolâs members understood the risks they ran. They met exclusively in private, exclusively at night. As far as we know, they kept no record of their conversations. They published none of their findings. Until Shakespeare gave them a name, they had none.
âAnd yet ââAlonzoâs index finger dug into the table like an awlââthey were one of the greatest threats to the Elizabethan establishment.â
âWhy?â
âBecause they talked about things no one could talk about. They questioned Jesusâ divinity. They questioned Godâs very existence. They practiced dark arts. Alchemy, astrology, paganism ⦠satanism  ⦠nothing was off the table, Henry. They dared toâto imagine a world without creed, without monarchy. With only the human mind as anchor. They were this quiet little knife in the heart of Elizabethan orthodoxy.â His eyes gleamed; his voice darkened. âAnd they all paid dearly for it.â
With unmistakable relish, he outlined their various ends. Marlowe, murdered in a saloon. (âOver a bill? I think not, Henry.â) Ralegh