from her afternoon rest.
“The last time he spoke was to boast that he was going to find out the secrets of the siddhas, whatever they share with your husband. ‘Why not me?’ he said. ‘I’m as good as him.’ Stupid boy. We never found out what he saw. Swagger on his face, he opened his mouth to tell us what he had learned. No sound came out.”
“Can’t he write things on a slate?” Sivakami lets herself be drawn into the story.
“He has never written what he saw. Your husband was only a boy. He went and spoke to Jagganathan’s mother, tried giving cures, but nothing worked. I think he was not the one who did it. I suspect he could cure Jagganathan now, if he wanted. But maybe he thinks ...”
She pauses until Sivakami prompts her. “Thinks ... ?”
“Maybe he thinks it is better if Jagganathan has no chance to speak.”
Sivakami looks away, pouting, and wonders if she has betrayed him by coming here.
“Go home. Have your supper, lock the door, go to sleep. Hanumarathnam will wake you if he comes in the night. If he doesn’t, he will come soon.”
“Is he safe?” Sivakami asks finally, betraying a little anger that this was not her first concern.
“Was he safe all those times before you were his wife?” Annam snorts and gets up. “How many people have what he has? It is a gift and you are very lucky. I’ll send my servant’s daughter to sleep in your house tonight so you won’t be afraid.”
As soon as it is cool enough, Sivakami goes up on the roof to scan the countryside. Dusk finds her numbly watching the parrots as they take their low sunset swoops. Shortly after dark, the servant girl arrives and silently sleeps in the main hall as Sivakami lies awake. Nearly two days pass in long hours. The elderly servants come at their usual times, to sweep, bring vegetables and kerosene from the market, sort the rice for stones, shape cow dung into patties and slap them onto the courtyard walls to dry into fuel chips. They give no indication that they think anything is wrong, as Sivakami sits half willing them to notice her fuming in a corner of the main hall.
She is the cherished only daughter of a not unknown family. She was not raised to be left alone. She didn’t marry to be left alone. She reviews again the details of her marriage, which echo in her mind like her footfalls in the empty house.
When Hanumarathnam returns, Sivakami is haggard. Though thinner, he seems renewed, vigorous, faintly glowing even. He asks her if she has cooked. She has, as she has three times every day of his absence, anticipating his return.
“Pack four meals, my dear. Large meals,” he says, his eyes dancing with hidden thoughts, new knowledge, non-Brahmin fascinations of which she is no part.
He knows things he has no right to know.
But he is her husband and he has asked for food, so she packages rice with sambar and vegetables into plantain leaves and binds them neatly with long fibres pulled from palm leaf stems. The yogourt rice course she wraps separately with tidy daubs of pickles. She is numb. She is packing food for her husband’s abductors, his friends, his mentors, who are just the sort of people she has been taught are dirty—which anyone can verify by looking at them. By smelling them.
They are not only smelly, they are sarcastic. Sarcastic to the point of blasphemy: as they saunter along the Brahmin quarter in the direction of the Krishna temple, no doubt savouring the pollution their naked, non-Brahmin forms are bestowing on the sanctified land, they cry, “Here is a body, feed it!”
It is the cry that distinguishes mendicants from beggars. In the old days, before Brahmins secured land and, thus, income, when they were strictly priests and scholars, living in righteous poverty, they would gather their daily sustenance by walking the street, carrying nothing but a brass jug and a walking stick. Hearing their cry, “Here is a body, feed it!” villagers would run after them and press upon