of his back.
âClint,â Father John said when they were only a couple feet away.
The man twisted slightly and glanced up, past the blanket bunched at his neck. Wrinkles cut deep furrows into his dark forehead. The black eyes narrowed in sadness. âI been waitinâ for you. You bring the police?â
âNo.â Father John dropped down on one knee beside the old man. âWhat happened?â he said.
âI couldnât let Junior sell the prayer pipe.â Clint turned back toward the frame. âI figured Junior was up to something when he didnât come around the last couple weeks. So this morning I went out to his place. He was fixinâ to load something out of that camper of his, so I went over to give him a hand, you know. Then I seen what was on that old blanket. All the stuff that was in the museum, and the sacred pipe, too, just layinâ there, like it was nothing. Oh, I knew what was goinâ on. Junior was gonna sell the ancestorsâ things. He didnât deny it. âWhat the hell,â he says. âWho cares about this old stuff anyway?â And I thought all the time he was cominâ out here to learn the Arapaho Way âcause he wanted to be a new man. All he wanted was to find out about the stuff in the museum so heâd know how much money he could get for it.â
The old man tilted his head back and fixed his gaze on the pipe. âTruth was, Junior loved money more than anything, even more than the sacred pipe that sent smoke up to heaven and joined the people to the Creator Himself. Even more than that.â
âSo you shot him,â Vicky said. Her voice was quiet behind them.
The old man had started shaking. He drew in his shoulders and dropped his head. âI didnât mean to shoot him. I said, âJunior, we gotta talk this over.â He said he didnât have no time. I said, âItâs not the Arapaho Way, sellinâ the ancestorsâ things.â He just looked at me and said, âTheyâre goinâ, old man.â I said, âNot the sacred pipe, Junior. Itâs gotta go back to the museum so the people can come and visit it.â âGet outta my way, old man,â he says, and starts pushing me back, pushing me hard. So I grabbed a skillet on the table and hit him on the side of the head. He went down on both knees and pulls out a gun. I hit him again, and the gun went flying across the floor. I was going after it when Junior knocks me down and starts pounding on my head âtil everything starts goinâ black, but I got my hand on the gun and then I hear a noise like thunder and I seen Junior laying real still next to me.â
Clint stopped talking. The cottonwoods swayed in the wind; the air filled with the smell of smoke. âIt was terrible,â he said.
âYou didnât mean to kill him.â Father John reached out and patted the old manâs shoulder.
Slowly Clint began unfolding the blanket. He withdrew a small, black revolver and turned it over in his hand, examining it, as if it were some alien object he couldnât understand. Then he handed it to Father John.
âI heard everything.â Gianelliâs voice came from the far side of the tipi. There was the slow, rhythmic crackling of leaves under his boots.
Father John got to his feet and gave the revolver to the agent. âWhat brought you here?â
âThe way you and Vicky tore out of the parking lot.â He shot a glance at Vicky. âI figured you two were on to something, so I decided Iâd better follow and see what it was.â The agent stepped around the frame and leaned over the old man. âYou know I have to arrest you, Clint.â In a voice not much above a whisper, he began ticking off the old manâs rightsâthe right to remain silent, the right to have an attorney present.
Clint started to his feet, struggling upright, reeling sideways. Father John gripped the