didnât record it until 1949. 12 In the first stanza, the tone was at once a lament and an admonition.
Yeah, you know thereâs people raidinâ in Europe
Theyâre raidinâ on both sea, land, and air (x2)
Yes, you better be mighty careful, little girl
Your man might have to go over there
But then, in the second stanza, Sam admitted:
You know, my girlfriend got a boyfriend in Europe
That foolâs already crossed the sea (x2)
You know, I donât hate it so bad
Thatâs a better break for me
In the last stanza, he alluded to what might have been a draft notice, and even if it wasnât his, he sang in the first person: âYes, I got a letter this morning/Sayinâ practically all these boys got to go,â and then ended the song by advising those who donât want to serve to move away (so that Uncle Sam doesnât catch them): âYes, if youâre goinâ live bad, son, donât live here no more.â
The fact that Sam never served in the military during World War II probably contributed to his decision to move to Houston, where he could get away from his past and build a new life for himself. He rented a room in a boarding house in the Third Ward. 13 While Sam said he was married at the time, he never identified which of his âwivesâ was with him. Years later, he liked to boast that heâd written songs about âpractically every wifeâ he ever had and often named Ida Mae, Katie Mae, Mary, and Glory Be, even though he was never legally married to any of them. In most instances, he referred to these women as common-law wives, though it appears that he used the title
wife
in the same sense that men use
girlfriend
today, meaning somebody he was sleeping with but not married to. Certainly, at that time living with a woman out of wedlock was considered sinful, and his use of the term
wife
was probably just a ruse to cover these illicit affairs. âI been married to ten common-law wives,â he said, but for him, his first wife had special significance: âThe first woman that you marry, that was your wife until she dieâ¦. But you know, thatâs just an old saying. You can grab a license and marry twenty times. But the first wife is the only one.â
However, he claimed, âEvery time I get ready to go, I just throw the divorce money up on the table and the paperâs already signed. Iâm gone. I done bought about seven divorces. I love these women. You know what I mean? But if they make me mad, Iâm gone. Good-bye, honey, because thereâs another somewhere else, just like the saying goes, âFor the flower that blooms, thereâs another of a different color.â White flowers, blue flowers, I can pick any kind I want. And if I got a blue one that makes me mad, I go get me a red one. I kind of like to pick my flowers, and if I get hot, I pick a good one.â 14
No records of any of Samâs âdivorcesâ have ever been found. His daughter from his first wife, Anna Mae Box, had in her possession the marriage certificate for Hopkins and her mother, Elamer, but wasnât sure whether or not they were ever legally divorced, which might explain why there are no records of any of Samâs other âmarriages.â 15 Hopkins did his best to avoid the judicial system by moving around, and his desire to play music, gamble, and carouse trumped being a responsible father and raising a family. Once Sam moved to Houston, Anna Mae lost contact with him.
During his first year in Houston, Sam mainly played in the little cafes and honky tonks, like those ridiculed in the
Houston Informer,
near where he lived in the Third Ward, though he did venture off into the Fourth and Fifth Wards as well as the surrounding areas. âI used to sing on Dowling Street,â he explained, and then âgo to Fourth Ward and Fifth Ward, and back to the Third Ward. That was my run. Iâd get money. They would give it to me.