for the first time the works
of Agricola, the father of modern mineralogy himself.
Out the windows of the gallery,
a jumble of raincoats and black umbrellas,
and so my afternoon education continues
with the discovery in a vitrine of Vegetarius,
who in the 4th century came up
with the idea of underwater warfare,
hand-to-hand combat beneath the lily pads
as if bloodying one another on the ground were not enough.
And if his illustration of an armed soldier
standing on the bottom of a lake
and breathing through a snake-like tube
comes at me tonight and shakes me out of sleep,
I will not coax an oval pill from its bottle
nor put on a robe and stand by the stove
looking at the ads in a magazine
while some milk is heating in a pan.
I only need to slide into place
the image of Leonardo at a table by a window,
his marvelling head resting in his hands,
as he wonders if water could exist on the moon.
New Year’s Day
Everyone has two birthdays
according to the English essayist Charles Lamb,
the day you were born and New Year’s Day—
a droll observation to mull over
as I wait for the tea water to boil in a kitchen
that is being transformed by the morning light
into one of those brilliant rooms of Matisse.
“No one ever regarded the First of January
with indifference,” writes Lamb,
for unlike Groundhog Day or the feast of the Annunciation,
this one marks nothing but the passage of time,
I realized, as I lowered a tin diving bell
of tea leaves into a little body of roiling water.
I admit to regarding my own birthday
as the joyous anniversary of my existence
probably because I was, and remain
to this day in late December, an only child.
And as an only child—
a tea-sipping, toast-nibbling only child
in a colorful room this morning—
I would welcome an extra birthday,
one more opportunity to stop what we are doing
for a moment and reflect on my being here on earth.
And one more might be a small consolation
to us all for having to face a death-day, too,
an X in a square
on some kitchen calendar of the future,
the day when each of us is thrown off the train of time
by a burly, heartless conductor
as it roars through the months and years,
party hats, candles, confetti, and horoscopes
billowing up in the turbulent storm of its wake.
The Day Lassie Died
It is 5:40 in Sawyer County, Wisconsin, a Tuesday
a few days before the birthday of Martin Luther, yes
it is 1959 and I need to do my chores
which include milking the ten cows—
did I mention it was 5:40 in the morning?—
and driving them with a stick into the pasture.
After breakfast (I am thinking oatmeal
with brown sugar and some raisins)
I will drive the twelve miles into town
and pick up a few things,
a tin of hoof softener for the horse,
some batteries, shells, a pair of rubber gloves,
and something for my wife but I don’t know what.
Maybe this cotton apron
with little pictures of the Eiffel Tower on it,
or she might like some hairpins, a box of tissues,
yet I am tempted by this anthology
of the Cavalier poets edited by Thomas Crofts
or maybe
The Pictorial History of Eton College
by B.J.W. Hill,
but after pacing up and down the aisles
of Olsen’s Emporium, I finally settle on
The Zen Teaching of Huang Po
translated from the Chinese (obviously)
by John Blofeld and published
recently by the infamous Grove Press,
and when I take everything up to Henry
at the big bronze cash register,
he asks have you seen today’s
Sentinel
and there’s her face, the dark eyes,
the long near-smile, and the flowing golden coat
and I’m leaning on the barn door back home
while my own collie, who looks a lot like her,
lies curled outside in a sunny patch
and all you can hear as the morning warms up
is the sound of the cows’ heavy breathing.
three
Tension
Never use the word
suddenly
just to create
tension.
—
Writing Fiction
Suddenly, you were planting some yellow petunias
outside in the