without holding my breath, I could get a better idea of Health and Vitalityâs studio. It was a good-sized room, perhaps thirteen feet or so by twenty-five, and though it was decorated in a nondescript white, colour was added by the blue satin drape that was hung over the far wall. In a pile near the fireplace were ten or twelve other coloured materials, no doubt alternative drapes. The fireplace itself, an early nineteenth-century job if my eye didnât deceive me, had been picked out in blue and white in a mock-Wedgwood sort of way, and no doubt it served as a âfeatureâ for occasional poses. The floor was a nondescript lino, but again there were various rugs around, clean and spruce, that no doubt could be used for certain types of shot. There was a large window overlooking Windlesham Street, but it had a white drape pinned over it. Of furniture there was none, though I had registered a door outside that could possibly lead to a storeroom. Surely for some of the shots they might use a sofa, or chairs? The bareness of the room had meant that the modelsâ clothes had been left in piles on the floor. The man had had a holdall, and had left a tracksuit carefully folded on top of it. The girl had left her clothes piled neatly on top of an Evening Standard. Both had registered, presumably, the slight film of dust on everything.
âNow, how did they die?â I asked.
âBullets from a thirty-two automatic,â said Joplin, reeling it off from his notebook. âThis boy hereââ
He pointed to the lanky body behind the cameras.
âI think his name might be Herbert,â I said.
âIt is. Dale Herbert. Weâve found his student card. He was shot twice. Apparently the first only got him in the shoulder. The girl wasalso shot twice, though Doc thinks the first in fact killed her. Just finishing off the round, I suppose.â
âA man who knew how to handle a gun, then.â
âCertainly no novice. A man with real training, even if not necessarily a hired killer. Youâll get a report on the bullets eventually, but ballistics suspect a rather elderly automatic. One of the bullets went through the girl, and we picked it up off the floor, so theyâve had a good look at it.â
âRight. Now, who are they?â
âThe only one weâre not sure of is the man. The model, I mean. Thereâs no name on the holdall, and the only clothes are the track-suit, running shoes, boxer shorts and so on. We reckon heâd been at a track, or a gym. Oh, there is a birthday card in the holdall, with âLove from Debbieâ on it.â
âSome birthday present heâs had,â I commented. âWhat about the others? The cameraman I take it is Bob Cordle?â
âThatâs it. All the cameras and their boxes are labelled, and thereâs a bank card in his wallet. Dale Herbert seems to have been a student at the City of London Poly, by the way, so there shouldnât be any trouble tracing him. The girlâs a student too, funnily enough.â
âReally?â
âThatâs right. Probably post-grad, Iâd say, because sheâs twenty-four. Name of Susan Platt-Morrison. Apparently a student at Bedford College. Thereâs also a letter in her handbag from âMummyââheaded notepaper, address in the Thames Valley.â
âI see. Do you think Mummy in the Thames Valley knew she modelled for Bodies? No doubt weâll find that out before long. Well, we seem to be getting there. I suppose Iâd better have my own look at the bodies before theyâre carted off.â
It wasnât something I ever liked doing. (Many policemen do, by the wayâsome in a completely abstract way which springs from the fact that murder cases are for us what high Câs are for a tenor, others in a way that leaves no one in any doubt of the frank enjoyment they extract from the contemplation of violence and death.) Four