its face, and drag it back to the tree, carrying it caught fast by either forepaw, so its body hung straight from its arms.
She saw me watching her and we exchanged a look, a very conscious and self-conscious lookâbecause we look a bit alike and we both knew it; because she was still short and I grown; because I was stuck kneeling before the cider pail, looking at her sidewise over my shoulder; because she was carrying the cat so oddly, so that she had to walk with her long legs parted; because it was my cat, and sheâd dressed it, and it looked like a nun; and because she knew Iâd been watching her, and how fondly, all along. We were laughing.
We looked a bit alike. Her face is slaughtered now, and I donât remember mine. It is the best joke there is, that we are here, and foolsâthat we are sown into time like so much corn, that we are souls sprinkled at random like salt into time and dissolved here, spread into matter, connected by cells right down to our feet, and those feet likely to fell us overa tree root or jam us on a stone. The joke part is that we forget it. Give the mind two seconds alone and it thinks itâs Pythagoras. We wake up a hundred times a day and laugh.
The joke of the world is less like a banana peel than a rake, the old rake in the grass, the one you step on, foot to forehead. It all comes together. In a twinkling. You have to admire the gag for its symmetry, accomplishing all with one right angle, the same right angle which accomplishes all philosophy. One step on the rake and itâs mind under matter once again. You wake up with a piece of tree in your skull. You wake up with fruit on your hands. You wake up in a clearing and see yourself, ashamed. You see your own face and itâs seven years old and thereâs no knowing why, or where youâve been since. Weâre tossed broadcast into time like so much grass, some ravening godâs sweet hay. You wake up and a plane falls out of the sky.
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That day was a god, too, the day we made cider and Julie played under the hawthorn tree. He must have been a heyday sort of god, a husbandman. He wasspread under gardens, sleeping in time, an innocent old man scratching his head, thinking of pruning the orchard, in love with families.
Has he no power? Can the other gods carry time and its loves upside down like a doll in their blundering arms? As though we the people were playing houseâwhen we are serious and do loveâand not the gods? No, that dayâs god has no power. No gods have power to save. There are only days. The one great god abandoned us to days, to timeâs tumult of occasions, abandoned us to the gods of days each brute and amok in his hugeness and idiocy.
Jesse her father had grabbed her clear of the plane this morning, and was hauling her off when the fuel blew. A gob of flung ignited vapor hit her face, or something flaming from the plane or fir tree hit her face. No one else was burned, or hurt in any way.
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So this is where we are. Ashes, ashes, all fall down. How could I have forgotten? Didnât I see the heavens wiped shut just yesterday, on the road walking? Didnât I fall from the dark of the stars to these senselit and noisome days? The great ridged granitemillstone of time is illusion, for only the good is real; the great ridged granite millstone of space is illusion, for God is spirit and worlds his flimsiest dreams: but the illusions are almost perfect, are apparently perfect for generations on end, and the pain is also, and undeniably, real. The pain within the millstonesâ pitiless turning is real, for our love for each otherâfor world and all the products of extensionâis real, vaulting, insofar as it is love, beyond the plane of the stonesâ sickening churn and arcing to the realm of spirit bare. And you can get caught holding one end of a love, when your father drops, and your mother; when a land is lost, or a time, and your friend blotted