played the oboe, and was an actor with the college dramatic society. He also acted in a radio drama workshop at the college, along with his friend Peter Hackes and some others who
were interested in broadcasting, and was the leading man in a soap opera that was broadcast over station WOI in Ames, Iowa.
Perhaps Bob Noyce was a bit too well rounded for local tastes. There were people who still remembered the business with the box kite back in 1941, when he was thirteen. It had been harmless, but it could have been a disaster. Bob had come across some plans for the building of a box kite, a kite that could carry a person aloft, in the magazine Popular Science. So he and Gaylord made a frame of cross-braced pine and covered it with a bolt of muslin. They tried to get the thing up by running across a field and towing it with a rope, but that didn’t work terribly well. Then they hauled it up on the roof of a barn, and Bob sat in the seat and Gaylord ran across the roof, pulling the kite, and Bob was lucky he didn’t break his neck when he and the rig hit the ground. So then they tied it to the rear bumper of a neighbor’s car. With the neighbor at the wheel, Bob rode the kite and managed to get about twelve feet off the ground and glide for thirty seconds or so and come down without wrecking himself or any citizen’s house or livestock.
Livestock … yes. Livestock was a major capital asset in Grinnell, and livestock was at the heart of what happened in 1948. In May a group of Bob Noyce’s friends in one of the dormitory houses at Grinnell decided to have a luau, and he was in on the planning. The Second World War had popularized the exotic ways of the South Pacific, so that in 1948 the luau was an up-to-the-minute social innovation. The centerpiece of a luau was a whole roasted suckling pig with an apple or a pineapple in its mouth. Bob Noyce, being strong and quick, was one of the two boys assigned to procure the pig. That night they sneaked onto a farm just outside Grinnell and wrestled a twenty-five-pound suckling out of a pigpen and arrived back at the luau to great applause. Within a few hours the pig was crackling hot and had an apple in its mouth and looked good enough for seconds and thirds, which everybody helped himself to, and there was more applause. The next morning came the moral hangover. The two boys decided to go see the farmer, confess, and pay for the pig. They didn’t quite understand how
a college luau, starring his pig, would score on the laugh meter with a farmer in midland Iowa. In the state of Iowa, where the vast majority of people depended upon agriculture for a livelihood and upon Protestant morality for their standards, not even stealing a watermelon worth thirty-five cents was likely to be written off as a boyish prank. Stealing a pig was larceny. The farmer got the sheriff and insisted on bringing criminal charges.
There was only so much that Ralph Noyce, the preacher with the preacher’s son, could do. Grant Gale, on the other hand, was the calm, well-respected third party. He had two difficult tasks: to keep Bob out of jail and out of court and to keep the college administration from expelling him. There was never any hope at all of a mere slap on the wrist. The compromise Grant Gale helped work out—a one-semester suspension—was the best deal Bob could have hoped for realistically.
The Night of the Luau Pig was quite a little scandal on the Grinnell Richter scale. So Gale was all the more impressed by the way Bob Noyce took it. The local death-ray glowers never broke his confidence. All the Noyce boys had a profound and, to tell the truth, baffling confidence. Bob had a certain way of listening and staring. He would lower his head slightly and look up with a gaze that seemed to be about one hundred amperes. While he looked at you he never blinked and never swallowed. He absorbed everything you said and then answered very levelly in a soft baritone voice and often with a smile that