name.
“Nameless existence, intangible substance,” Cincinnatus read on the wall where the door covered it when open.
“Perpetual name-day celebrants, you can just …” was written in another place.
Further to the left, in a strong and neat hand, without a single superfluous line: “Note that when they address you …” The continuation had been erased.
Next to this, in clumsy childish letters: “I will collect fines from writers,” signed “director of the prison.”
One could make out yet another line, an ancient and enigmatic one: “Measure me while I live—after it will be too late.”
“In any case I have been measured,” said Cincinnatus, resuming his journey and rapping lightly with his knuckles on the walls. “But how I don’t want to die! My soul has burrowed under the pillow. Oh, I don’t want to! It will be cold getting out of my warm body. I don’t want to … wait a while … let me doze some more.”
Twelve, thirteen, fourteen. At fifteen Cincinnatus went to work in the toy workshop, where he was assigned by reason of his small stature. In the evenings he would feast on ancient books to the lazy enchanting lap of wavelets in the Floating Library, in memoriam of Dr. Sineokov, who had drowned at just that spot in the city river. The grinding of chains, the little gallery with its orange-colored lamp shades, the plash, the water’s smooth surface oiled by the moon, and, in the distance, lights flickering past in the black web of a lofty bridge. Later, however, the valuable volumes began to suffer from the damp, so that in the end it was necessary to drain the river, channeling all the water over to the Strop by means of a specially dug canal.
In the shop he struggled for a long time with intricate trifles and worked on rag dolls for schoolgirls; here there was little hairy Pushkin in a fur carrick, and ratlike Gogol in a flamboyant waistcoat, and old little Tolstoy with his fat nose, in a peasant’s smock, and many others, as for example Dobrolyubov, in spectacles without lenses and all buttoned up. Having artificially developed a fondness for this mythical Nineteenth Century, Cincinnatus was ready to become completely engrossed in the mists of that antiquity and find therein a false shelter, but something else distracted him.
There, in that little factory, worked Marthe; her moist lips half open, aiming a thread at the eye of a needle. “Hi, Cincinnatik!” And so began those rapturous wanderings in the very, very spacious (so much so that even the hills in the distance would be hazy from the ecstasy of their remoteness) Tamara Gardens, where, for no reason, the willows weep into three brooks, and the brooks, in threecascades, each with its own small rainbow, tumble into the lake, where a swan floats arm in arm with its reflection. The level lawns, the rhododendrons, the oak groves, the merry gardeners in their green jackboots playing hide-and-seek the whole day through; some grotto, some idyllic bench, on which three jokers had left three neat little heaps (it’s a trick—they are imitations made of brown painted tin), some baby deer, bounding into the avenue and before your very eyes turning into trembling mottles of sunlight—that is what those gardens were like! There, there is Marthe’s lisping prattle, her white stockings and velvet slippers, her cool breast and her rosy kisses tasting of wild strawberries. If only one could see from here—at least the treetops, at least the distant range of hills … Cincinnatus tied the dressing gown a little tighter. Cincinnatus moved the table and began dragging it backwards as it shrieked with rage: how unwillingly, with what shudderings it moved across the stone floor! Its shudderings were transmitted to Cincinnatus’s fingers and to Cincinnati’s palate as he retreated toward the window (that is, toward the wall where way, way up high, there was the inclined cavity of the window). A loud spoon fell, the cup began to dance,