and swimming to the shore of Ireland, and a battalion of Mrs. Pottsâs uncles and cousins stormed the beaches of Europe during World War II. They just donât give up.
âShould we cancel the party?â asked Eula. âBecause I feel absolutely terrible for Mrs. Potts here.â She gave Holly a nasty little glare. âEven if other Âpeople want to use your painting as a PR ploy.â
âNo, no,â said Mrs. Potts gruffly, waving Eula aside. âPottses never cancel events. I trust Walt here to figure out what happened to Heifer in Tomato Patch .â
We all looked askance at this statement, since Waltâs a hardworking guy, but since thereâs only one of him and heâs usually dealing with things like bar fights at the Bryn Mawr Pub and lost cats. However, Honeyâs faith in Walt was touching, and seemed to give him a confidence boost.
âWhy was the painting here at the club, exactly, again?â Walt asked her gently. âAnd how many Âpeople knew it here?â
â Heifer in Tomato Patch is one of the only pieces of English pastoral art that features my two passions in life,â explained Mrs. Potts. âThe Potts family has always been devoted to both cattle and tomatoes.â
âUh-Âhuh,â said Walt, as everyoneâs eyes except Eulaâs glazed over, since sheâs an avid grower of Early Girls herself.
Predictably, Holly and the Colketts had zero interest in the subject of the party they were planning, since tomato growing was generally done by a more senior group of Bryn Mawr stalwarts.
In fact, so obsessed is the town by the tasty veggie that Saturdayâs event was part one of the Tomato Show, which includes the kickoff party and the Early Girl competition. Part two of the show happens a Âcouple of weeks later, and features about forty-Âfive additional categories of said plant that ripen at the end of July.
As Mrs. Potts explained that the painting was the centerpiece of her annual Tomato Show lecture, I saw Sophie and Bootsie exchange an eye roll and start checking their phones, with Sophie clicking on what looked like the Neiman Marcus Web site. To be honest, it did sound like the lecture could have been a bit of a snooze.
âAnd a lot of Âpeople knew the painting would be here?â continued Walt.
âThis Bryn Mawr Gazette had it on the front page last Thursday,â said Honey, indicating Bootsie with an outstretched glass of vodka. âBootsie wrote the story, so who knows, maybe that brought out the criminal element.â
âSorry.â Bootsie shrugged. Guilt isnât an emotion Bootsie really experiences, which is why sheâs great at unearthing gossip and has an actual talent for digging up cluesâÂor at least digging through personal belongings, medicine cabinets, and trash cans.
âSo, everyone in town and anyone who reads the Gazette knew about the painting.â Walt nodded. He closed his notebook and looked around the room. âBootsie, I need you to run a favor past your boss at the paper,â he told her. âGive me a day or two to get this painting back before you run a story about it.â
âThe horse is out of the barn, Walt,â observed Mrs. Potts, clearing her throat and gulping down a bit of Smirnoff. âWhatâs the difference now? And who knows, maybe whoever stole Heifer will get scared and bring it back.â
Walt was shaking his head. âMedia coverage usually hurts more than it helps,â he told her. âFirst you get the weirdos, folks who claim to know where the painting is, or who try to find it themselves,â he explained. âAlso, say the person who stole this thing had no idea itâs worth over a hundred grand. We donât want that information out there.â
I felt for Walt. He looked tired and slightly rumpled.
â âIâm going to have Jared here gather all the club employees so we can ask if