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after the car was towed, after we were taken to our apartment in a fire truck, along with the groceries, not so much as an egg cracked—my father finished his characteristically long discourse on his day in the groves of academe, which my father inevitably called the groves of academe. Who had said what to whom, his warlike thrusts, as he called his responses, an allusion to Maryland’s state song. His day finally dispatched, he asked, as he always did, “Anything to report from the home front?”
    To which, I am told, I answered, although not in a recognizable language. I babbled; I circled my pudgy baby arms wildly, trying to simulate the motion of the car. I patted my head, attempting to describe the headwear of the various blue-and yellow-suited men who had come to our rescue. I even did a credible imitation of a siren. Within twenty-four hours, my words came in, like a full set of teeth.
    â€œAnd from that day forward,” my father always says at the end—“From that day forward”—he is a great one for repeating phrases, for emphasis—“from that day forward, no one could ever shut you up.”
    Â 
    From My Father’s Daughter by Cassandra Fallows, published in 1998 and now in its nineteenth printing.

CHAPTER
2
    â€œCASSANDRA FALLOWS? WHO’S SHE WITH?”
    Gloria Bustamante peered at the old-fashioned pink phone memo the temp held out with a quavering hand. The girl had already been dressed down three times today and was now so jangly with nerves that she was caroming off doors and desks, dropping everything she touched, and squeaking reflexively when the phone rang. She wouldn’t last the week, an unusually hectic one to be sure, given all the calls about the Harrington case. Too bad, because she was highly decorative, a type that Gloria favored, although not for the reasons suspected by most.
    The girl examined her own handwriting. “She’s a writer?”
    â€œDon’t let your voice scale up at the end of a declarative sentence,dear,” Gloria said. “No one will ever take you seriously. And I assume she’s a writer—or a reporter—if she’s calling about Buddy Harrington. I need to know which newspaper or television program she reps.”
    Gloria’s tone was utterly neutral to her ears, but the girl cowered as if she had been threatened. Ah, she had probably hoped for something far more genteel when she signed up at the agency, an assignment at one of those gleaming start-ups along the water. Arriving at Gloria’s building, an old nineteenth-century town house, she would have adjusted her expectations to something old-fashioned but still grand, based on the gleaming front door and restored exterior, the leaded glass and vintage lighting on the first two floors.
    Those lower floors, however, were rented to a more fastidious law firm. Gloria’s own office was on the third story, up a sad little carpeted staircase where dust rose with every step and the door gave way to a warren of rooms so filled with boxes that visitors had to take it on faith that there was furniture beneath them. “I want prospective clients to know that every one of the not insignificant pennies I charge goes to their defense, not my décor,” Gloria told the few friends she had in Baltimore’s legal community. She knew that even those friends, such as they were, amended in their heads, It’s not going to your wardrobe or your upkeep, either. For Gloria Bustamante was famously, riotously, deliberately seedy, although not as cheap with herself as she was with her office. The run-down heels she wore were Prada, her stained knit suits came from Saks Jandel in DC, her dirty rings and necklaces had been purchased on lavish trips abroad. Gloria wanted people to know that she had money, that she could afford the very best—and could afford to take crappy care of the very best.
    The girl stammered, “N-no, she’s