Narration Read Online Free Page B

way. This is what I said about what poetry and prose has been.
     
    Does telling anything as it is being needed being telling now by anyone does it mean cutting loose from anything, no because there is nothing to cut loose from. Remember this that is do not remember but know this when there is no more to tell about what prose and poetry has been.
     
    It is funny that Americans that an American who has always believed that they were the people knowing everything about repression are really the ones who have naturally been moving in the direction that there is nothing to cut loose from.
     
    So to begin to tell what I did tell because I knew it then very very well what prose and poetry has been.
     
    I said prose concerned itself with the internal balance of sentences which are things that exist in and for themselves and are not complete as anything because anything existing in and for itself does not have to have completion, if it exists in and for itself there is no relation of it to it and therefore there is no element of completion, it is a thing that exists by internal balancing that is what a sentence is and since that is what a sentence is or rather what a sentence was perhaps now there is no longer any need for a sentence to be existing perhaps not, in any case certainly that is what a sentence has been a thing that by internal balancing made itself what it was. I further have said and do say that a succession of these sentences were used in paragraphing and that these sentences existing in that way and being included by a paragraphing ending made not by their balancing but by the need of progression made a paragraph that had an emotional meaning while the sentence itself had none. This is what I said the sentence and the paragraph had been has been and now let me say it again.
     
    Let me say again what the sentence and the paragraph has been and what has been its relation to narrative that is the telling of anything.
     
    Narrative has been the telling of anything because there has been always has been a feeling that something followed another thing that there was succession in happening.
     
    In a kind of a way what has made the Old Testament such permanently good reading is that really in a way in the Old Testament writing there really was not any such thing there was not really any succession of anything and really in the Old Testament there is really no sentence existing and no paragraphing, think about this thing, think if you have not really been knowing this thing and then let us go on telling about what paragraphs and sentences have been what prose and poetry has been. So then in the Old Testament writing there is really no actual conclusion that anything is progressing that one thing is succeeding another thing, that anything in that sense in the sense of succeeding happening is a narrative of anything, but most writing is based on this thing most writing has been a real narrative writing a telling of the story of anything in the way that thing has been happening and now everything is not that thing there is at present not a sense of anything being successively happening, moving is in every direction beginning and ending is not really exciting, anything is anything, anything is happening and anybody can know anything at any time that anything is happening and so really and truly is there any sentence and any paragraphing is there prose and poetry as the same thing or different things is there now any narrative of any successive thing.
     
    I always remember during the war being so interested in one thing in seeing the American soldiers standing, standing and doing nothing standing for a long time not even talking but just standing and being watched by the whole French population and their feeling the feeling of the whole population that the American soldier standing there and doing nothing impressed them as the American soldier as no soldier could impress by doing anything. It is a much more impressive thing