surprised to find how little of her son there was in the room; how tenuous his hold on this house was. Part of a cupboard had been enough to take the stained, half-out-grown schoolboyâs suit, the two or three holey pullovers, the cricket bat and the broken bagatelle board that made up his possessions.
Jessie was anxious to make her guest comfortable. âHereâlookâthereâs at least another shelf going begging. You could put things you donât need every day in here. And on top of the wall-cupboard in Clemâs roomâyou can put your empty cases upthere.â Ann came running to see. âHow marvellous! Thereâs bags of room. Thanks so much.â
âItâs dreadful not to be able to have order,â said Jessie, her hands dropping to her sides in the manner of a woman between one task and the next. âI long for order.â
âOh yes!â With careless, social enthusiasm, the girl suggested that she did, too; but she did not even know what chaos was, yet.
She lugged her things cheerfully up and down the room, while Jessie sat on the bed and talked to her. Her ankles, fine as a race-horseâs, took any weight steadily although she wore such high-heeled shoes; she was really very gay and pretty. She gave a thump with her long-fingered hand on a drum that was part of Boazâs collection of African instruments, and disentangled the belt of a dress from a pair of sandals.
âDo you know anything about all this?â Jessie leaned over to pick up a gourd decorated with an incised design and mounted on a reed. âLook, I can play that!â said the girl. She dropped an armful of dresses back into the suitcase. She took the contraption and blew into it, laughing and struggling with it. She produced a few low, blurred notes, surprisingly sweet. âItâs a
chigufe
, a special end-blown flute.â Jessie tried it, but nothing came. âI can usually get something out of these things,â said the girl, smiling. âDo you work with BoazâI never asked him what you did,â said Jessie. âNothing much.â She was hanging up dresses again. âWhat sort of work do you do, I mean? What are you going to do while youâre here?â âOh, I donât know. Iâll wander about with Boaz quite a bit, I suppose. And Iâll want to get to know whatâs going on in Johannesburg. When I go somewhere I havenât been, I like to get into it up to the neck, donât you?â
The two women got on pleasantly enough in the feminine preoccupation of making ready a place to live, but each was conscious of reservations about the other. Ann Davis, in her innocent self-absorption, busy making herself comfortable, wouldnever have remarked on this, but when they were alone in their room Boaz said anxiously, âWonderful pair. I told you.â âDid she really want us to come, I wonder?â said Ann, curious. âI mean, she couldnât have been kinder, but I had the feeling she wasnât interested in me.â
âShe doesnât seem to work,â said Jessie to Tom.
âI donât know what she did in England.â
âNothing. She has no work of her own.â
âThat may be.â Jessieâs feeling of the extraordinariness of the fact did not strike him.
âIt seems so odd.â
He gave a sensible laugh. âWhy odd?â
âEveryone works,â she said stubbornly.
âNow and then there could be someone who didnât feel the need.â
Work was an article of faith by which theyâTom, she herself, their friendsâlived. How could it become, by the casual word, the mere presence of the girl, a dead letter? Yet it was, it could be. And what was the good of an article of faith that would deny it? There was life beyond life as she had conceived of it for herself; there were freedoms beyond the freedom she understood. She added another word or two to the near