Silent Playgrounds Read Online Free

her will of iron. She picked up the receiver and tried the number of Jane’s mobile. She let it ring. There was no reply. Then she dialled 999. This was either nothing, or a very serious emergency.
    The mill at Shepherd Wheel was dark under the trees. The doors were padlocked, the bright metal of the hasps gleaming. The windows were shuttered and bolted. The trees stirred as a breeze blew, sending shadows dancing across the water, across the mossy roof. And it began again, faintly, just audible over the sound of the river, just audible to someone standing close to the shuttered windows, just audible to someone with sharp ears, someone who was listening. The ringing of a phone.

2
    Suzanne was familiar with crisis. Crisis was something you moved through with cold detachment, an observer of your own life. Crisis was something that held you, panicked and terrified, behind a frozen façade. Crisis left you drained and wrecked once it had moved on. Crisis for Suzanne was Adam, her younger brother, dead these past six years, and it was her father’s thin, precise features, and his voice:
I hold you responsible for this, Suzanne!
    She listened to the policewoman telling Jane that children often went missing, that the most reliable teenager in the world could get distracted, and wanted to fast-forward the day to the time when the crisis would be over, one way or another.
    Two officers had arrived in response to Suzanne’s call, with commendable but alarming rapidity. A man and a woman. The woman had introduced herself, calm, sympathetic, professional, ‘I’m Hazel Austen. I’m here about your daughter. Lucy, isn’t it?’ With a few quick questions she had the gist of the situation, and was now talking Jane through Emma’s and Lucy’s planned routeand routine. ‘… going through the park right now, but I just need you to tell me …’
    To distract herself from the knot of tension inside her, Suzanne let her eyes wander round the familiar room. There were pictures: framed prints, some of Jane’s paintings, Lucy’s pictures Blu-tacked erratically to the walls and door. Her toys and books were piled into one corner and tumbled on the slatted shelves that stood by the window. A photograph of Lucy with her father, Joel, was pinned to the shelves by a single drawing pin. That was new. It looked like one of Jane’s photos, and the size and curling edges suggested it was one she had developed herself. The faces, both serious, looked out from a background of blurred lights, Lucy’s fair hair tangled against the darker hair of her father. Lucy’s drawings were stuck to the wall at the height of a child’s head, slightly rumpled, slightly uneven. They were captioned in Lucy’s words and Jane’s writing, each letter carefully copied in different colours by Lucy.
    The pictures were part of Lucy’s fantasy world.
Flossy my cat in the park,
a picture of a stripy animal with rather a lot of teeth;
Me and my sisters in the park,
a small, fair-haired figure with two taller figures, one fair, one dark;
My mum and dad,
two tall figures, both with yellow hair like Lucy;
The Ash Man’s brother in the park,
a dark-haired, smiling figure. Lucy’s invented family had a resident father – unlike the absent, peripatetic Joel – had cats and dogs, had sisters and sometimes brothers. The rest of her world was peopled with stranger characters, like her imaginary friend, Tamby, and the sinister Ash Man – and now, apparently, with monsters.
    Suzanne and Jane had shared a bottle of wine in this room the night before, talking among the haphazard clutter while Lucy sat at the table drawing. It had seemed warm and inviting then, with Jane’s vague irrelevancies and Lucy’s intermittent chatter. Now the clutter no longer looked homely and comforting, it looked disrupted, as though a high wind had taken the room apart and let things settle where they would.
    ‘… cup of tea.’ Suzanne brought herself back sharply. Hazel was speaking to her.