destroyed the works of Porter,Arlen, and Rodgers and Hart. I elected not to pursue the subject of Ella Fitzgerald.
âWhen itâs slow with the act,â the young woman said, âI waitress.â
I couldnât help myself.
I said, âOh my, the terrible things happening to verbs.â
âSay what?â
âAccess. Impact. Itâs computers. Inducing illiteracy.â
âWhatâs the story, guy?â
âTo waitress isnât a verb.â
âFor a person looks like heâs been rolling in the sandbox,â the young woman said, âyouâre talking awful picky.â
I was in danger of losing her to Now .
âSorry,â I said, and meant it. âItâs been an awkward evening.â
The young womanâs finger was back on the ads. Her eyes were sure to follow.
I said, âBe a problem about me tapping on Daveâs door?â
âFine by me,â the young woman said. Her head had dropped down. âOne thing, thatâs the wrong possessive.â
âHow so?â I asked the top of her frizz.
âItâs Jimâs door.â
The stairway was narrow all the way to the top, four flights up. Sounds of television sets and record players came faintly from behind the doors. Inside, the rooms may have been heavenly little oases. Out in the hall, it felt like the Gulag Archipelago.
Jim Kirkâs door had an advertisement for Yamaha Pianos pasted in the centre with Kirkâs own name neatly printed in block letters along the top of the ad.
I knocked softly on the door.
Nothing stirred inside.
I knocked more vigorously.
A door opened behind me, and I looked back. A man was leaning out of a room halfway between me and the stairs. He was Oriental and didnât have a shirt on.
âNobodyâs home down there,â the man said.
âWhat about the temporary tenant? Dave Goddard?â
âStill working up the street.â
That made it unanimous.
I went down the stairs. The Ella Fitzgerald act was still analyzing Now âs personals. With her brand of respect for the printed word, she might be able to decipher the graffiti on the garage door out back. I left the Cameron and walked home.
It wasnât far, east on Queen to Beverley Street, left turn, and north for three and a quarter blocks. I own a duplex that looks across Beverley to the orderly park behind the Art Gallery of Ontario. Two gay chaps named Ian and Alex and their Irish setter rent the apartment downstairs. I live upstairs. The setterâs name is Genet.
In the kitchen, I took the bottle of Wyborowa out of the freezer and poured an inch and a half into an old-fashioned glass without ice. When I raised the glass to my mouth, I felt nauseated. That wasnât the reaction Polish vodka customarily induced in me. The bang on the head must have been kicking in on a delayed reaction. I poured the Wyborowa back in the bottle without losing a drop and switched to milk.
I drank two glasses and took my nausea to bed.
4
I T WAS LATER than it was supposed to be.
I switched on the small black Sony radio on the table beside the bed and heard Peter Gzowskiâs voice. Peter Gzowskiâs program comes on the CBC at 9:05. My usual waking hour is seven-thirty. I looked at the small black Sony clock behind the radio. It said nine-fifty. Something else was different. I had a headache.
I put on my maroon cotton dressing gown, a birthday present from Annie B. Cooke, and carried the radio into the bathroom. Gzowski was interviewing a Hungarian movie director who was in town for the Festival of Festivals. Whatever pain reliever nine out of ten doctors would take to a desert island wasnât in my bathroom cabinet. I filled the sink with cold water and held my face in it. Gzowski thanked the Hungarian movie director and took a break for the ten oâclock news. Who would trust a doctor whoâd pack a pain reliever on a trip to a desert island?
In the kitchen,