this a hospital?â Ida asked.
âThis is our new house â you know that. Are you coming down with something?â He touched Idaâs head to feel for a temperature.
âBut it looks like an advent calendar.â
She was serious but her father laughed loudly.
âItâs 1920s,â he said. âYouâd better like it. And please donât let on to your mother if you donât. Thatâs the last thing we need.â
He switched on the camera and started filming as the van drove up to the house.
Ida shuffled from foot to foot. Now she needed a wee.
âLook,â he said and pointed towards some birds flying overhead.
âPigeons?â she asked.
âSeagulls.â
âUp, up,â said Alice, holding her arms out to Ida.
The van stopped and the two men jumped out and opened the doors at the back.
âReady girls? Follow me,â said Da, running halfway up the steep steps then turning round to shoot them with the camera. âThereâs a surprise at the top I hear.â
Ida held Aliceâs hand and helped her up to the front door.
âNow turn around,â he said.
They did as they were told.
âGlorious,â he said. He sounded as though heâd opened a present.
Ida felt sick again. From where they stood they could see over the houses and all the pine trees, right down to the sea. Only it didnât look like the seaside sea in Brighton, it looked like something horrible, everything big and grey and mean. She could see the wind, pushing everything in the same direction, all the trees and the boats and the people.
âTen minutes through the woods and weâll be at the beach. Marvellous, eh?â he said.
She couldnât speak. Tears hurt her eyes and throat until she couldnât stop herself and let them out with a loud sob.
âMy goodness, you funny little thing. Letâs go inside,â he said as he fumbled with the key.
Ida didnât like this house. She didnât like the garden or the scary woods or the horrid view. She was glad that after the summer she could go back to London and see all her friends and her cat. She thought about that and tried to be brave.
âVoila,â said her da.
They followed him into the dim hall as he patted the wall to find a switch. âWhat an adventure. God, it smells funny.â There was a scuttling noise and he whooped. âSay it, Ida! Say it!â
Ida knew what he meant â their favourite line from The Railway Children . âItâs only the ratttssss,â she said in a hissy voice and he laughed as he walked to the end of the corridor and switched on a light.
They were in a long hall with a staircase at the end. From the ceiling hung a glass lampshade, all black inside with dust and dead flies. The rose-patterned wallpaper was peeling in places. Near Idaâs head some naughty child had drawn a picture of a dog with a green crayon.
âLook Da,â Ida said, but heâd gone into another room.
âSo through here is the kitchen,â he shouted. âBloody hell, it hasnât been touched since 1950.â He ran out and up the stairs. âOkay girls. Letâs choose your rooms,â he called down to them.
âCome on, Alice,â Ida said.
Alice went first up the bare wooden stairs. Ida noticed her bottom was wet, her nappy had soaked through her trousers.
âBe careful, Ally,â she said, patting her sisterâs hair. âThere might be splinters.â
He met them at the top. âIâve worked it all out girls. Iâm going at the back, your mother can go over there, and you two are next to each other.â He pointed to the left. âAlly baby, you have the little one, Ida, the big one is for you.â
Alice sat down. Her face was red and she was rubbing her eyes which meant she was tired.
Ida felt she shouldnât ask, but she needed to â sheâd waited all day long.
âWhenâs