it.â¦â
Samuelson returned with a manila envelope. He handed the envelope to Corrigan.
A silver ring slid from the envelope to Corriganâs palm. Attached to the ring was a tag marked with an identification number. Corrigan offered the ring to Lessard.
Lessard stared at it without touching it. Then he shut his eyes.
âItâs Biancaâs ring,â he said.
Corrigan returned the ring to the envelope and handed it to Samuelson. The doctor glanced briefly at Lessard. Then he went out. He did not come back.
Lessard struggled to his feet His face looked like soft putty that was perceptibly losing shape. He looked ten years older than when he had come in.
âAside from the ring,â Corrigan said. He felt sorry for the man, regardless of other considerations. The fellow had slept with what lay in the drawer. He would have nightmares for the rest of his life, dreams in which he embraced what the rats had left. âAside from the ring, did you spot anything that pinpoints the body as your wifeâs?â
Lessard shuddered. âNo. No.â
âWell.â Corrigan shrugged. âWeâll have to keep going until we pin the ID down.â
âThe ring,â Chuck Baer said.
âWe canât accept it as conclusive, Chuck, although of course itâs a long step in Mrs. Lessardâs direction. By the way, Mr. Lessard, who is in charge of the Fielding enterprises? Whoâs taken care of the administration of the business since the death of your wifeâs parents?â
âWhat?â
Corrigan repeated himself patiently.
âOh.â Lessardâs color was coming back. âA girl named Jean Ainsley. One of those bright young career women. I believe sheâs been with the Fielding enterprises for five or six years. Hails from California. Do I have to answer any more questions, Captain?â
âNo, of course not. Sorry Iâve had to put you through this. Weâll be in touch.â
Baer said, âIâll drop you off at your place if youâd like, Mr Lessard.â
âWould you?â Lessard said emptily.
After they left, Corrigan consulted a Manhattan directory and found that Fielding Theatrical Realty had offices in a building in the 1600 block on Broadway. He dialed, identified himself, and asked for Miss Ainsley. The girl at the switchboard kept him waiting a full minute.
He listened to a warmly pleasant voice identify its owner as Jean Ainsley. Somehow, it did not fit in with his image of a career girl.
âWhat can I possibly do for a police officer, Captain Corrigan?â
âThereâs a matter concerning your employer I have to discuss with you. How soon can we get together?â
The other end of the line went silent. Then the warm voice said, âRight after lunch, if thatâs all right with you. I get back at two.â
Jean Ainsley turned from the phone on her blond wood desk to the man standing at the tall window in her office. He stood in a contemplative, almost brooding, posture, as if he were philosophizing over the vanity of the minute movements on the streets below.
Like some statue by Rodin, Jean thought. But itâs just a pose. Heâs the model, not the sculpture. Philosophy was far from his thoughts. He was engaged in his favorite pastime, contemplating himself. And she loved him anyway. That was the hell of it.
At fifty-two, Carlton Ainsley still presented a young manâs waistline; his broad shoulders were still without a hint of curvature. The profile, the walking stick, the elkskin gloves, the carnation in his lapel, shrieked âactor.â There were dozens like him at the Lambsâ Club. His hair was a mane thrown back from the high forehead. Its coloration was striking, an intense black dusted with pulverized silver.
Just look at him, Jean thought, the youth of him, after all those years of drinking and women and Hollywood parties; even the years in that other horrid place