it would only make things worse to call attention to it. âSecond, you wrote the âA-Rodâ song, in which you talk about killing a singer by beating her with a baseball bat, and the forensics folks are saying that the murder weapon was a baseball bat.â
Both Nina and L.D. started talking at the same time. âHold on,â I said to L.D., and put up my index finger as I pulled the phone away from my ear to listen to Nina.
âThey donât know the weapon for sure,â she said. âThey never found it. Theyâre assuming it was a bat because Roxanne had a bat in her bedroom from singing at the World Series or something, and now itâs missing. And because of the song, it obviously helps the prosecution if the murder weapon is a bat.â
I gave Nina a not-too-subtle eye roll, although I was careful to turn my head sufficiently so Legally Dead didnât see it. âBut Iâm assuming that the wounds Roxanne suffered are consistent with a baseball-bat beating, right?â I said. âI mean, I get that the murder weapon could be a two-by-four and not a Louisville Slugger, but itâs not a knifing case.â
âRight,â she said, conceding my point.
I wasnât sure how much of that L.D. heard, but when I turned back toward him, he looked more agitated than he had before. âThe song ainât fuckinâ about Roxanne!â he shouted into the phone. âIbeen saying that from day one, but nobodyâs fuckinâ payinâ it no mind. You gotta listen to the lyrics.â
Apparently recognizing that his flare-up had not helped his cause, he smiled again, but the damage had already been done. If nothing else, L.D. had revealed himself as the kind of man whose emotions could turn on a dime.
He began to rap, swaying from side to side as he did, as if he were onstage before screaming teenagers, rather than behind a bulletproof glass wall talking to a lawyer.
âWe were blood bros and now this;
the ultimate dis.
Gonna stop you when you sing,
gonna give it til you scream;
donât like what you said,
gonna go A-Rod on your head.â
When he was finished, he looked at me as if that resolved everything.
âIâm sorry, L.D., youâre going to have to explain what you mean.â
âThe song ainât about no shorty, itâs about a fuckinâ dude.â He rapped again: â âWe were blood brosââ brothers . Itâs âbout these gangbangers and one wants outta the game, and the other guy says if you talk shit about me, Iâm gonna go A-Rod on your head. So everybody be sayinâ that because the lyric is sing itâs gotta be about a singer like Roxanne. But no fuckinâ way. Itâs about . . . you know, like them old movies and shit, when people talk to the cops and they be singinâ like a canary.â
I felt like saying: Well, with an explanation like that, Iâm surprised they even arrested you, but didnât think I could summon enough sarcasm to give the thought justice. It was apparent Iâd need to study not only the âA-Rodâ lyrics but the entire Legally Dead songbook.
I had a momentary vision of translators in the courtroom debating the meaning of the lyrics, the way it sometimes happens when you have foreign-language interpreters arguing over the nuance of language in different regions of the country. No, itâs phat with a ph, so it means cool, not obese.
I did a recap in my head. No alibi. Check. Sketchy, at best, explanation on the song. Check.
Next on my agenda was motive.
âHow were things between you and Roxanne on the day she died?â
âWe all good.â
âWhat Iâve read is that the prosecution thinks Roxanne had recently . . .â I searched for a word that was gentle, and then decided that my offending him was the least of his worries. âShe dumped you. Right before Thanksgiving. They claim