the bump watch as a way to tempt fate. She seriously wants a kid. Even though publicly, Bryn is twenty-four, in reality, she’s twenty-eight and she claims her clock is ticking and all that. But I’m twenty-one, and Bryn and I have only been together a year. And I don’t care if Bryn says that I have an old soul and have been through a lifetime already. Even if I were forty-one, and Bryn and I had just celebrated twenty years together, I wouldn’t want a kid with her.
“Will she be joining you on the tour?”
At the mere mention of the tour, I feel my throat start to close up. The tour is sixty-seven nights long. Sixty-seven . I mentally pat for my pill bottle, grow calmer knowing it’s there, but am smarter than to sneak one in front of Vanessa.
“Huh?” I ask.
“Is Bryn going to come meet you on the tour at all?”
I imagine Bryn on tour, with her stylists, her Pilates instructors, her latest raw-foods diet. “Maybe.”
“How do you like living in Los Angeles?” Vanessa asks. “You don’t seem like the SoCal type.”
“It’s a dry heat,” I reply.
“What?”
“Nothing. A joke.”
“Oh. Right.” Vanessa eyes me skeptically. I no longer read interviews about myself, but when I used to, words like inscrutable were often used. And arrogant . Is that really how people see me?
Thankfully, our allotted hour is up. She closes her notebook and calls for the check. I catch Aldous’s relieved-looking eyes to let him know we’re wrapping up.
“It was nice meeting you, Adam,” she says.
“Yeah, you too,” I lie.
“I gotta say, you’re a puzzle.” She smiles and her teeth gleam an unnatural white. “But I like puzzles. Like your lyrics, all those grisly images on Collateral Damage . And the lyrics on the new record, also very cryptic. You know some critics question whether BloodSuckerSunshine can match the intensity of Collateral Damage . . . .”
I know what’s coming. I’ve heard this before. It’s this thing that reporters do. Reference other critics’ opinions as a backhanded way to espouse their own. And I know what she’s really asking, even if she doesn’t: How does it feel that the only worthy thing you ever created came from the worst kind of loss?
Suddenly, it’s all too much. Bryn and the bump watch. Vanessa with my high school yearbook. The idea that nothing’s sacred. Everything’s fodder. That my life belongs to anyone but me. Sixty-seven nights. Sixty-seven, sixty-seven . I push the table hard so that glasses of water and beer go clattering into her lap.
“What the—?”
“This interview’s over,” I growl.
“I know that. Why are you freaking out on me?”
“Because you’re nothing but a vulture! This has fuck all to do with music. It’s about picking everything apart.”
Vanessa’s eyes dance as she fumbles for her recorder. Before she has a chance to turn it back on, I pick it up and slam it against the table, shattering it, and then dump it into a glass of water for good measure. My hand is shaking and my heart is pounding and I feel the beginnings of a panic attack, the kind that makes me sure I’m about to die.
“What did you just do?” Vanessa screams. “I don’t have a backup.”
“Good.”
“How am I supposed to write my article now?”
“You call that an article?”
“Yeah. Some of us have to work for a living, you prissy, temperamental ass—”
“Adam!” Aldous is at my side, laying a trio of hundred-dollar bills on the table. “For a new one,” he says to Vanessa, before ushering me out of the restaurant and into a taxi. He throws another hundred-dollar bill at the driver after he balks at my lighting up. Aldous reaches into my pocket and grabs my prescription bottle, shakes a tablet into his hand, and says, “Open up,” like some bearish mother.
He waits until we’re a few blocks from my hotel, until I’ve sucked down two cigarettes in one continuous inhale and popped another anxiety pill. “What happened back